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Post hoc / Dane Mitchell.

By: Contributor(s): Material type: TextTextPublisher: Milan--Italy : Mousse Publishing, 2019Copyright date: ©2019Edition: First editionDescription: 137 pages : illustrations ; 30 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 8867493698
  • 9788867493692
Subject(s): Genre/Form: DDC classification:
  • 709.2 23
LOC classification:
  • N
Partial contents:
Introduction / Zara Stanhope -- Blind spots on a spectrum / Zara Stanhope -- The sense of an ending / Chris Sharp -- Post hoc -- The book of drafts (part 5) / Heman Chong -- Techno-tree / Stephen Turner -- Recent works -- Selected exhibition history and publications / Dane Mitchell -- Work details and list of illustrations.
Summary: Dane Mitchell deploys disguised cellphone towers to broadcast a litany of loss at the 58th Venice Biennale. New Zealand artist Dane Mitchell (born 1976) broadcasts from transmission towers disguised as trees a vast inventory of vanished or invisible phenomena, extinctions and past events. This volume explores the origin of this work in the context of Mitchell's career.
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Holdings
Item type Current library Call number Status Date due Barcode
Book City Campus City Campus Main Collection 709.2 MIT (Browse shelf(Opens below)) Available A566558B

Catalog of an exhibition held within the 58th International Art Exhibition La Biennale Venezia, at the Pavilion of New Zealand, Venice, Italy, May 11-November 24, 2019.

Includes bibliographical references.

Introduction / Zara Stanhope -- Blind spots on a spectrum / Zara Stanhope -- The sense of an ending / Chris Sharp -- Post hoc -- The book of drafts (part 5) / Heman Chong -- Techno-tree / Stephen Turner -- Recent works -- Selected exhibition history and publications / Dane Mitchell -- Work details and list of illustrations.

Dane Mitchell deploys disguised cellphone towers to broadcast a litany of loss at the 58th Venice Biennale. New Zealand artist Dane Mitchell (born 1976) broadcasts from transmission towers disguised as trees a vast inventory of vanished or invisible phenomena, extinctions and past events. This volume explores the origin of this work in the context of Mitchell's career.

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