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Heavy : how metal changes the way we see the world / Dan Franklin.

By: Material type: TextTextPublisher: London, United Kingdom : Constable ; 2020Description: xii, 292 pages : illustrations ; 24 cmContent type:
  • text
  • still image
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 1472131053
  • 9781472131058
Subject(s): Additional physical formats: ebook version :: No title; No titleDDC classification:
  • 306.48426 23
Contents:
Prologue: Some Kind of Monster -- Descending -- 1.Origin Myths -- 2.Nuclear Winter and its Malcontents -- 3. Roman Wilderness of Pain -- 4. Crossing the Theshold -- 5. Leaving the World Behind -- 6. The Agony and Ecstasy of a Superman -- 7. The All-Pervading -- 8. Everything Ends -- 9. Under the Surface -- 10. Alive in the Superunknown -- 11. Remember Tomorrow -- Ascending -- Epilogue: Leaves are Falling all Around
Summary: "Long established as an undeniable force in culture, metal traces its roots back to leather-clad iron men like Black Sabbath and Judas Priest, who imbued their music with a mysterious and raw undercurrent of power. Heavy unearths this elusive force, delving deep into the fertile culture that allowed a distinctive new sound to flourish and flaying the source material to get to the beating heart of the music. From the imminent threat of nuclear apocalypse that gave rise to Metallica's brand of volatile thrash metal to Bloodbath and Carcass, the death metal bands resurrecting the horror of medieval art. But there are always more lines to be drawn. Cradle of Filth and Ulver trade in the transgressive impulses of gothic literature; Pantera lay bare Nietzsche's 'superman'; getting high leads to the escapist sci-fi dirges of Sleep and Electric Wizard; while the recovery of long-buried urns in the seventeenth century holds the key to the drone of Sunn O))). Dissecting music that resonates with millions, Heavy sees Slipknot wrestling with the trauma of 9/11, Alice in Chains exposing the wounds of Vietnam and Iron Maiden conjuring visions of a heroic England. Powerful, evocative and sometimes sinister, it gives shape and meaning to the terrible beauty of metal." -- Book jacket
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Holdings
Item type Current library Call number Copy number Status Date due Barcode
Book City Campus City Campus Main Collection 306.48426 FRA (Browse shelf(Opens below)) 1 Available A550163B

Prologue: Some Kind of Monster -- Descending -- 1.Origin Myths -- 2.Nuclear Winter and its Malcontents -- 3. Roman Wilderness of Pain -- 4. Crossing the Theshold -- 5. Leaving the World Behind -- 6. The Agony and Ecstasy of a Superman -- 7. The All-Pervading -- 8. Everything Ends -- 9. Under the Surface -- 10. Alive in the Superunknown -- 11. Remember Tomorrow -- Ascending -- Epilogue: Leaves are Falling all Around

"Long established as an undeniable force in culture, metal traces its roots back to leather-clad iron men like Black Sabbath and Judas Priest, who imbued their music with a mysterious and raw undercurrent of power. Heavy unearths this elusive force, delving deep into the fertile culture that allowed a distinctive new sound to flourish and flaying the source material to get to the beating heart of the music. From the imminent threat of nuclear apocalypse that gave rise to Metallica's brand of volatile thrash metal to Bloodbath and Carcass, the death metal bands resurrecting the horror of medieval art. But there are always more lines to be drawn. Cradle of Filth and Ulver trade in the transgressive impulses of gothic literature; Pantera lay bare Nietzsche's 'superman'; getting high leads to the escapist sci-fi dirges of Sleep and Electric Wizard; while the recovery of long-buried urns in the seventeenth century holds the key to the drone of Sunn O))). Dissecting music that resonates with millions, Heavy sees Slipknot wrestling with the trauma of 9/11, Alice in Chains exposing the wounds of Vietnam and Iron Maiden conjuring visions of a heroic England. Powerful, evocative and sometimes sinister, it gives shape and meaning to the terrible beauty of metal." -- Book jacket

Machine converted from non-AACR2, non-ISBD source record.

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