Echo objects : the cognitive work of images / Barbara Maria Stafford.
Material type: TextPublisher: Chicago : University of Chicago Press, [2007]Copyright date: ©2007Description: xiii, 281 pages, 12 unnumbered pages of plates : illustrations, plates ; 26Content type:- text
- unmediated
- volume
- 0226770516
- 9780226770512
- 0226770524
- 9780226770529
- Cognitive work of images
- 153.32 23
- BF311 .S67715 2007
Item type | Current library | Call number | Copy number | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|
Book | City Campus City Campus Main Collection | 153.32 STA (Browse shelf(Opens below)) | 1 | Available | A564382B |
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153.32 FOR Psychology of the image / | 153.32 KOS The case for mental imagery / | 153.32 OSH Interpretation in social life, social science, and marketing / | 153.32 STA Echo objects : the cognitive work of images / | 153.35 BOH On creativity / | 153.35 CRE Creative people at work : twelve cognitive case studies / | 153.35 CRE The creative process : a symposium. |
Includes bibliographical references and index.
Form as figuring it out : toward a cognitive history of images -- Compressive compositions : emblem, symbol, symbiogenesis -- Mimesis again! Inferring from appearances -- Primal visions : the geography of interiority -- How patterns meet : from representation to mental representation -- Impossible will? Unconscious organization, conscious focus -- Coda : reverberations.
"Barbara Maria Stafford is at the forefront of a growing movement that calls for the humanities to confront the brain's material realities. In Echo Objects, she argues that humanists should seize upon the exciting neuroscientific discoveries that are illuminating the underpinnings of cultural objects. In turn, she contends, brain scientists could enrich their investigations of mental activity by incorporating phenomenological considerations - particularly the intricate ways that images focus intentional behavior and allow us to feel thought." "As precise in her discussions of firing neurons as she is about the coordinating dynamics of image making, Stafford locates these major transdisciplinary issues at the intersection of art, science, philosophy, and technology. Ultimately, she makes an impassioned plea for a common purpose - for the acknowledgment that, at the most basic level, these separate projects belong to a single investigation."--Jacket.
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