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Robert Smithson / organized by Eugenie Tsai with Cornelia Butler ; additional essay by Thomas Crow ; texts by Alexander Alberro [and others] ; interview with Robert Smithson by Moira Roth.

By: Contributor(s): Material type: TextTextPublisher: Berkeley : University of California Press, [2004]Copyright date: ©2004Description: 280 pages : illustrations (some colour) ; 29 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 0520244087
  • 9780520244085
  • 0520244095
  • 9780520244092
Subject(s): Additional physical formats: Online version:: Robert Smithson.; No titleDDC classification:
  • 700.92 23
LOC classification:
  • N6537.S6184 A4 2004b
Contents:
Robert Smithson: plotting a line from Passaic, New Jersey, to Amarillo, Texas / Eugenie Tsai -- Cosmic exile: prophetic turns in the life and art of Robert Smithson / Thomas Crow -- An interview with Robert Smithson (1973) / Moira Roth ; edited by Naomi Sawelson-Gorse -- The taste of time: salt and the Spiral Jetty / Jennifer L. Roberts -- Enantiomorphic models / Ann Reynolds -- Robert Smithson's proposal for a monument at Antarctica / Robert A. Sobieszek -- Towards "a new type of building": Robert Smithson's architectural criticism / Mark Linder -- In the Yucatán: mirroring presence and absence / Suzaan Boettger -- "A heap of language": Robert Smithson and American hieroglyphics / Richard Sieburth -- A lurid presence: Smithson's legacy and post-studio art / Cornelia Butler -- The Catalogue of Robert Smithson's library / Alexander Alberro -- Catalogue of Robert Smithson's library: books, magazines, and records.
Review: "This fully illustrated 280-page book accompanies the first comprehensive American retrospective of Robert Smithson's (1938-1973) complex and highly influential body of work. Perhaps best known as the creator of Spiral Jetty, a fifteen-hundred-foot rock coil dramatically situated in Utah's Great Salt Lake, Smithson also broke new ground with his films, photographs, writings, drawings, sculptures, and collages. His oeuvre defied convention, utilizing nontraditional art materials such as mirrors, maps, concrete, earth, and asphalt - in addition to language, as both a written and visual medium. Smithson's revolutionary ideas moved art beyond the walls of the museum into the landscape itself."--Jacket.
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Holdings
Item type Current library Call number Copy number Status Date due Barcode
Book City Campus City Campus Main Collection 700.92 SMI (Browse shelf(Opens below)) 1 Available A566915B

Catalog of an exhibition held at the Museum of Contemporary Art, Los Angeles, Sept. 12-Dec. 13, 2004, the Dallas Museum of Art, Jan. 14-Apr. 3, 2005, and the Whitney Museum of American Art, June 23-Oct. 16, 2005.

Includes bibliographical references.

Robert Smithson: plotting a line from Passaic, New Jersey, to Amarillo, Texas / Eugenie Tsai -- Cosmic exile: prophetic turns in the life and art of Robert Smithson / Thomas Crow -- An interview with Robert Smithson (1973) / Moira Roth ; edited by Naomi Sawelson-Gorse -- The taste of time: salt and the Spiral Jetty / Jennifer L. Roberts -- Enantiomorphic models / Ann Reynolds -- Robert Smithson's proposal for a monument at Antarctica / Robert A. Sobieszek -- Towards "a new type of building": Robert Smithson's architectural criticism / Mark Linder -- In the Yucatán: mirroring presence and absence / Suzaan Boettger -- "A heap of language": Robert Smithson and American hieroglyphics / Richard Sieburth -- A lurid presence: Smithson's legacy and post-studio art / Cornelia Butler -- The Catalogue of Robert Smithson's library / Alexander Alberro -- Catalogue of Robert Smithson's library: books, magazines, and records.

"This fully illustrated 280-page book accompanies the first comprehensive American retrospective of Robert Smithson's (1938-1973) complex and highly influential body of work. Perhaps best known as the creator of Spiral Jetty, a fifteen-hundred-foot rock coil dramatically situated in Utah's Great Salt Lake, Smithson also broke new ground with his films, photographs, writings, drawings, sculptures, and collages. His oeuvre defied convention, utilizing nontraditional art materials such as mirrors, maps, concrete, earth, and asphalt - in addition to language, as both a written and visual medium. Smithson's revolutionary ideas moved art beyond the walls of the museum into the landscape itself."--Jacket.

Machine converted from AACR2 source record.

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