Moving image / edited by Omar Kholeif.
Material type: TextSeries: Documents of contemporary art seriesPublisher: London : Cambridge, Massachusetts : Whitechapel Gallery ; The MIT Press, 2015Copyright date: ©2015Description: 239 pages ; 21 cmContent type:- text
- unmediated
- volume
- 026252810X
- 9780262528108
- 0854882383
- 9780854882380
- Moving image (M.I.T. Press)
- 700.456 23
- NX650.M64 M68 2015
Item type | Current library | Call number | Copy number | Status | Date due | Barcode | Course reserves | |
---|---|---|---|---|---|---|---|---|
SL Book | City Campus City Campus Short Loan | 2Hr 700.456 MOV (Browse shelf(Opens below)) | 1 | Available | A549368B |
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2Hr 692.5 AUS Australian and New Zealand standard method of measurement of building works / | 2Hr 700.1 ETH Ethics / | 2Hr 700.1 PRA Practice / | 2Hr 700.456 MOV Moving image / | 2Hr 701.03 MAR The market / | 2Hr 701.8 TIM Time / | 2Hr 709.04 INF Information / |
Includes bibliographical references and index.
Introduction: Navigating the moving image / Omar Kholeif -- Apparatus -- Situation -- Embodiment -- Materialization -- Biographical notes -- Bibliography -- Index -- Acknowledgements.
"This anthology examines the expanded field of the moving image in recent art, tracing the genealogies of contemporary moving image work in performance, body art, experimental film, installation, and site-specific art from the 1960s to the present day. Contextualizing new developments made possible by advances in digital and networked technology, it locates contemporary practice within a global framework. Among the issues it examines are how new technologies, forms of apparatus, and modes of editing or framing affect innovations in artistic practice and strategy; how work is defined by local contexts, and the tensions that can arise when the local is represented globally; how we define a 'third space' for the filmic image and whether an installation area can be abstracted from geography; how performance-based work in this field explores bodies as borders or territories; the ways in which political, pedagogical, and collective forms of practice have affected the moving image; and the new platforms and modes of viewing that are evolving in response to the globally distributed condition of contemporary media."--Publisher's description.
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