The object / edited by Antony Hudek.
Material type: TextSeries: Documents of contemporary art seriesPublisher: London : Cambridge, Massachesetts : Whitechapel Gallery ; The MIT Press, 2014Copyright date: ©2014Description: 239 pages ; 21 cmContent type:- text
- unmediated
- volume
- 0262525763
- 9780262525763
- 0854882189
- 9780854882182
- 111.85 23
- BH301.O24 O245 2014
Item type | Current library | Call number | Status | Date due | Barcode | Course reserves | |
---|---|---|---|---|---|---|---|
SL Book | City Campus City Campus Short Loan | 2Hr 111.85 OBJ (Browse shelf(Opens below)) | Available | A548520B | |||
SL Book | City Campus City Campus Short Loan | 2Hr 111.85 OBJ (Browse shelf(Opens below)) | Available | A548516B |
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2Hr 070.17 PRI Print journalism : a critical introduction / | 2Hr 070.4 JOU Journalism and meaning-making : reading the newspaper / | 2Hr 111.85 OBJ The object / | 2Hr 111.85 OBJ The object / | 2Hr 170 KAN The metaphysics of morals / | 2Hr 170 KAN The metaphysics of morals / | 2Hr 174.3 WEB Ethics, professional responsibility and the lawyer / |
Includes bibliographical references and index.
Introduction -- Subject, object, thing -- Everyday objects, useful objects -- Found objects, lost objects, non-objects -- Discursive objects, affective objects -- Event, object, performance -- Biographical notes -- Bibliography -- Index -- Acknowledgements.
"Artists increasingly refer to "post-object-based" work while theorists engage with material artifacts in culture. A focus on "object-based" learning treats objects as vectors for dialogue across disciplines. Virtual imaging enables the object to be abstracted or circumvented, while immaterial forms of labor challenge materialist theories. This anthology surveys such reappraisals of what constitutes the "objectness" of production, with art as its focus. Among the topics it examines are the relation of the object to subjectivity; distinctions between objects and things; the significance of the object's transition from inert mass to tool or artifact; and the meanings of the everyday in the found object, repetition in the replicated or multiple object, loss in the absent object, and abjection in the formless or degraded object. It also explores artistic positions that are anti-object; theories of the experimental, liminal or mental object; and the role of objects in performance. The object becomes a prism through which to reread contemporary art and better understand its recent past." -- Publisher's description
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