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The object / edited by Antony Hudek.

Contributor(s): Material type: TextTextSeries: Documents of contemporary art seriesPublisher: London : Cambridge, Massachesetts : Whitechapel Gallery ; The MIT Press, 2014Copyright date: ©2014Description: 239 pages ; 21 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 0262525763
  • 9780262525763
  • 0854882189
  • 9780854882182
Subject(s): Additional physical formats: Online version:: Object; No titleDDC classification:
  • 111.85 23
LOC classification:
  • BH301.O24 O245 2014
Contents:
Introduction -- Subject, object, thing -- Everyday objects, useful objects -- Found objects, lost objects, non-objects -- Discursive objects, affective objects -- Event, object, performance -- Biographical notes -- Bibliography -- Index -- Acknowledgements.
Summary: "Artists increasingly refer to "post-object-based" work while theorists engage with material artifacts in culture. A focus on "object-based" learning treats objects as vectors for dialogue across disciplines. Virtual imaging enables the object to be abstracted or circumvented, while immaterial forms of labor challenge materialist theories. This anthology surveys such reappraisals of what constitutes the "objectness" of production, with art as its focus. Among the topics it examines are the relation of the object to subjectivity; distinctions between objects and things; the significance of the object's transition from inert mass to tool or artifact; and the meanings of the everyday in the found object, repetition in the replicated or multiple object, loss in the absent object, and abjection in the formless or degraded object. It also explores artistic positions that are anti-object; theories of the experimental, liminal or mental object; and the role of objects in performance. The object becomes a prism through which to reread contemporary art and better understand its recent past." -- Publisher's description
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Holdings
Item type Current library Call number Status Date due Barcode Course reserves
SL Book City Campus City Campus Short Loan 2Hr 111.85 OBJ (Browse shelf(Opens below)) Available A548520B

Visual Arts Theory II

SL Book City Campus City Campus Short Loan 2Hr 111.85 OBJ (Browse shelf(Opens below)) Available A548516B

Visual Arts Theory II

Includes bibliographical references and index.

Introduction -- Subject, object, thing -- Everyday objects, useful objects -- Found objects, lost objects, non-objects -- Discursive objects, affective objects -- Event, object, performance -- Biographical notes -- Bibliography -- Index -- Acknowledgements.

"Artists increasingly refer to "post-object-based" work while theorists engage with material artifacts in culture. A focus on "object-based" learning treats objects as vectors for dialogue across disciplines. Virtual imaging enables the object to be abstracted or circumvented, while immaterial forms of labor challenge materialist theories. This anthology surveys such reappraisals of what constitutes the "objectness" of production, with art as its focus. Among the topics it examines are the relation of the object to subjectivity; distinctions between objects and things; the significance of the object's transition from inert mass to tool or artifact; and the meanings of the everyday in the found object, repetition in the replicated or multiple object, loss in the absent object, and abjection in the formless or degraded object. It also explores artistic positions that are anti-object; theories of the experimental, liminal or mental object; and the role of objects in performance. The object becomes a prism through which to reread contemporary art and better understand its recent past." -- Publisher's description

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