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Ceal Floyer : a handbook / editor: Susanne Küper ; documentation of works: Matti Isan Blind [and four others] ; translations: April Lamm, Wilhelm Werthern.

Contributor(s): Material type: TextTextLanguage: English, German Original language: English, German Publisher: Bonn : Ostfildern : Kunstmuseum ; Hatje Cantz, [2015]Copyright date: ©2015Description: 207 pages : illustrations ; 26 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 3775740775
  • 9783775740777
Subject(s): Additional physical formats: No titleDDC classification:
  • 709.04 23
LOC classification:
  • N6797.F565 A4x 2015
Summary: Those who experience the oeuvre of Ceal Floyer (*1968), who has lived for many years in Berlin, for the first time may initially be surprised, irritated, and ultimately delighted. She plays with conventional patterns of perception in a highly sophisticated way, piercing through them with a keen sense of irony and the simplest of means. Her works are productive irritations whose inherent logic prompts an open process of seeing and thinking. With her work Light Switch (1992) she hoodwinks us by showing us the photograph of a light switch at a place in the room where one might be located. Light illusions of deception and disappointment that also turn up in later works such as Overhead Projection (2006). In this case, a light bulb seems to be suspended from the ceiling of the space that in reality is lying on the projection stage of an overhead projector. 00Exhibition: Kunstmuseum Bonn, Germany (29.10.15 - 10.10.2016); Aargauer Kunstmuseum, Aarau, Germany (19.01. - 31.04.2016).
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Exhibition catalog.

On the occasion of an exhibition held at Kunstmuseum, Bonn, October 29, 2015 - January 10, 2016; Aargauer Kunsthaus, Aarau, January 30 - April 10, 2016.

Co-published by Aargauer Kunsthaus, Aarau.

Includes bibliographical references.

Those who experience the oeuvre of Ceal Floyer (*1968), who has lived for many years in Berlin, for the first time may initially be surprised, irritated, and ultimately delighted. She plays with conventional patterns of perception in a highly sophisticated way, piercing through them with a keen sense of irony and the simplest of means. Her works are productive irritations whose inherent logic prompts an open process of seeing and thinking. With her work Light Switch (1992) she hoodwinks us by showing us the photograph of a light switch at a place in the room where one might be located. Light illusions of deception and disappointment that also turn up in later works such as Overhead Projection (2006). In this case, a light bulb seems to be suspended from the ceiling of the space that in reality is lying on the projection stage of an overhead projector. 00Exhibition: Kunstmuseum Bonn, Germany (29.10.15 - 10.10.2016); Aargauer Kunstmuseum, Aarau, Germany (19.01. - 31.04.2016).

Parallel texts in English and German.

Machine converted from AACR2 source record.

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