Carolee Schneemann : imaging her erotics : essays, interviews, projects / Carolee Schneemann.

Includes filmography (page 329).

Includes bibliographical references and index.

The Painter As an Instrument of Real Time / Kristine Stiles -- Proto-Feminist Body -- Interview with Kate Haug -- From the Notebooks -- "Maximus at Gloucester": a Visit to Charles Olson -- Eye Body: 36 Transformative Actions -- Meat Joy -- Snows / Robert C. Morgan -- Solanas in a Sea of Men -- Two London Letters -- Valie -- Notes from First Viewing of a Film by Dusan Makavejev: W.R. Mysteries of the Organism -- Sexual Parameters -- Interview with ND -- Feminist Erotic Iconography -- Interview with Linda Montano -- Istory of a Girl Pornographer -- American I Ching Apple Pie -- Cezanne, She was a Great Painter: Unbroken Words to Women--Sexuality Creativity Language Art Istory -- Women in the Year 2000 -- Interior Scroll -- Up to and Including Her Limits -- Dirty Pictures -- Anti-Demeter: The More I Give the More You Steal -- Homerunmuse -- The Lebanon Series -- Interview with Carl Heyward -- Censorship -- On Censorship: Interview with Aviva Rahmani -- Notes from the Underground: A Feminist Pornographer in Moscow -- Dream Morphologies -- Assimilating the Unassimilable: Carolee Schneemann in Relation to Antonin Artaud / Jay Murphy -- Fresh Blood--A Dream Morphology -- Venus Vectors -- Cycladic Imprints -- Infinity Kisses / Robert Riley -- Video Rocks -- Cats, Dreams, and Interior Knowledge--Cat Scan: Interview with William Peterson -- Homage to Ana Mendieta -- Mortal Coils -- Plague Column: Known/Unknown / Eleanor Heartney -- Vulva's Morphia -- Vespers Pool / Thomas McEvilley.

"Carolee Schneemann is one of the pioneers of performance, installation, and video art. Although other visual artists, such as Salvador Dali and Yves Klein, have used live self-portraiture and performance as a vehicle for public provocation, Schneemann was among the first to use her body to animate the relationship between the world of lived experience and the imagination, as well as issues of the erotic, the sacred, and the taboo. In the 1960s, her work prefigured the feminist movement's sexual self-assertion for women, and by the mid-1970s, her work anticipated the field of women's studies and its critique of patriarchal institutions. In the 1980s, she was one of the first to experiment with virtual environments. Imaging Her Erotics integrates images from Schneemann's works in painting, collage, drawing, and video sculptures with written material drawn from the artist's journals, dream diaries, essays, and lectures. Encompassing four decades of her work, it demonstrates her profound influence on artists in all media. An opening essay by Kristine Stiles presents Schneemann's major themes and places her work in a historical context. Among other topics, the book covers Schneemann's response to the widespread use by artists of the ideas of theoreticians such as Georges Bataille, Jacques Derrida, and Jacques Lacan; her relationship to male artists such as Joseph Cornell, Robert Morris, and Claes Oldenburg; and reminiscences about her friends Ana Mendieta, Charlotte Moorman, and Hannah Wilke. The book also contains essays by Jay Murphy and David Levi-Strauss and interviews with the artist by Kate Haug, Linda Montano, and Aviva Rahmani." --Jacket.