Fields: an itinerant inquiry across the Kingdom of Cambodia / St Paul St Gallery & SA SA Bassac.

Accompanied by translation of text into Khmer.

Includes bibliographical references.

About this Book and Translation -- An Introduction, Or: Eat the Sour Fruits with Salt and Chilli / Charlotte Huddleston and Roger Nelson -- Part 4 School Journal Number 1, 1986 / Vera Mey -- Growing up near Angkor / Chhoeung Mey -- I Keep Somehow Uneasy and Wordless / Tith Kanitha, interviewed by Vera Mey -- Conversations with Vietnamese who Migrated from Vietnam and Resided in Nakorn Phanom, Thailand Before and During the American War / Arin Rungjang -- I'm Not Political, But We Are All in This Together: Living Life, Touring with a Trans(ient)-national Community in Cambodia? / Janita Craw -- The Problem With Sunset II / Erin Gleeson -- Lim Sokchanlina -- Glossary / Julia Moritz -- Khvay Samnang -- Mentally Ill Because of Desire, Chapter 1 / Soth Polin -- The Present Is A Foreign Country: Some Thoughts on the (Dis)entanglement of Exploration and Conquest / Roger Nelson -- Tue Greenfort -- About Stories / Charlotte Huddleston -- Pages of Movement and Actions For Water Surfaces / Alex Monteith -- The Undead / Albert Samreth -- A Translation of FIELDS / Hsu Fang-Tze -- Amy Lee Sanford -- Phnom Penh: City as Exhibition / Vera Mey and Luke Willis Thompson -- Sarah Munro -- After FIELDS Guide / Erin Gleeson -- Art&Education announcement / Erin Gleeson, Vera Mey, and Albert Samreth -- FIELDS Itinerary / by Erin Gleeson and Vera Mey.

"FIELDS brings artists and curators to Cambodia to engage contemporary ritual practice. The 20-day nomadic itinerary is a proposal that traverses space, temporality, and culture through a politics of memory, inheritance, and tradition by performing a cartography that informs and alters its references. The nation's agrarian landscape, the fieldwork of anthropologists and aid workers, Buddhist notions of merit-fields, the psycho-geographical landscape referred to as the Killing Fields, and the history of art practices in the expanded field all serve as starting points. A story does not have a beginning until one has been assigned to it. FIELDS' itinerary begins by merging the sacred and the profane, facilitating the virtual effect on the actual, pedagogy and action - praxis. We begin in Cambodia's capital Phnom Penh with a series of establishing sakasalas, or workshops: on language and epigraphy at the Buddhist Institute, on colonial audiovisual archives at Bophana Resource Center, and an analog political history mapping exercise at a karaoke club. On the road to Siem Reap we wander the deserted Udong, Cambodia's pre-colonial royal capital. In Siem Reap, we participate in the 3-day Conference on Special Topics in Khmer Studies Don't Abandon the Indirect Road: Divergent Approaches to Cambodian Visual Cultures. Exploration in and around Angkor includes visits with guardians of the main repository of categorized stone remnants; archeologists of a recently discovered ancient bronze-casting artisan workshop; scholars of Buddhist temple narratives and iconography; itinerant painters responsible for the temple's west wall depictions of hell; and practioners of sak yant, or yantra tatooing. We overnight with the floating village community of Kompong Pluk on the Tonle Sap Lake for a night of films by Charlie Chaplin, the archetype for Cambodian comedians. We drive to the highland regions of Mondulkiri, home to the indigenous Bunong where we will be guided in daily works and ritual ceremony for four days. On the road back to Phnom Penh, we stop in Memot to walk the hills of Iron Age circular earthworks. Our return to Phnom Penh traces a series of urban legends including architect Vann Molyvann's Independence-era iconic works; the award winning fiction writer behind the Khmer translations of Beyonce; and the Documentation Center of Cambodia whose mantra is "searching for the truth". Our ending is not an ending. The residency's peripatetic and multidisciplinary nature is intentionally associative with tensions around modes of colonial exploration, exoticism, and contemporary tourism. FIELDS operates from the space of these tensions to reconfigure ideas of knowledge exchange and the stratified roles that inform this kind of cultural exchange. Our map of meetings and site-visits will reconstitute practices of fieldwork - not the study of the other but a collaborative pedagogy rooted in mutualism. Owned by neither guest nor host, the FIELDS proposal acts on the intrapersonal and the transformative. A number of individual and collective projects will result from FIELDS, including a publication planned for 2014. From New Zealand: Charlotte Huddleston, Vera Mey, Janita Craw, Alex Monteith, Luke Willis Thompson; from Cambodia, Albert Samreth, Erin Gleeson, Khvay Samnang, Amy Lee Sanford, Lim Sokchanlina, Tith Kanitha; from Australia, Roger Nelson; from Denmark, Tue Greenfort; from Germany, Ute Meta Bauer, Julia Moritz; from Romania Anca Rujoiu; from Taiwan, Fang-Tse Hsu; from Thailand, Arin Runjung