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Disidentifications : queers of color and the performance of politics / José Esteban Muñoz.

By: Material type: TextTextSeries: Cultural studies of the Americas ; v. 2.Publisher: Minneapolis : University of Minnesota Press, [1999]Copyright date: ©1999Description: xvii, 227 pages : illustrations ; 25 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 0816630143
  • 9780816630141
  • 0816630151
  • 9780816630158
Other title:
  • Disidentifications : queers of colour and the performance of politics
Subject(s): Additional physical formats: No titleDDC classification:
  • 305.90664 21
LOC classification:
  • HQ76.3.U5 M87 1999
Contents:
Preface: Jack's plunger -- Introduction: performing disidentifications -- Part I: the melancholia of race -- Famous and dandy like B. 'n' Andy: race, pop, and Basquiat -- Photographies of mourning: melancholia and ambivalence in Van DerZee, Mapplethorpe, and Looking for Langston -- Part II: remaking genres: porn, punk, and ethnography -- The autoethnographic performance: reading Richard Fung's queer hybridity -- "The white to be angry": Vaginal Creme Davis's terrorist drag -- Part III: critical Cubania -- Sister acts: Ela Troyano and Carmelita Tropicana -- Pedro Zamora's Real world of counterpublicity: performing an ethics of the self -- Performing disidentity: disidentification as a practice of freedom -- Latina performance and queer worldmaking, or, Chusmería at the end of the twentieth century.
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Includes bibliographical references and index.

Preface: Jack's plunger -- Introduction: performing disidentifications -- Part I: the melancholia of race -- Famous and dandy like B. 'n' Andy: race, pop, and Basquiat -- Photographies of mourning: melancholia and ambivalence in Van DerZee, Mapplethorpe, and Looking for Langston -- Part II: remaking genres: porn, punk, and ethnography -- The autoethnographic performance: reading Richard Fung's queer hybridity -- "The white to be angry": Vaginal Creme Davis's terrorist drag -- Part III: critical Cubania -- Sister acts: Ela Troyano and Carmelita Tropicana -- Pedro Zamora's Real world of counterpublicity: performing an ethics of the self -- Performing disidentity: disidentification as a practice of freedom -- Latina performance and queer worldmaking, or, Chusmería at the end of the twentieth century.

Machine converted from AACR2 source record.

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