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Post-cinematic theatre and performance / Piotr Woycicki, University of Aberystwyth, UK.

By: Material type: TextTextSeries: Palgrave studies in performance and technologyPublisher: Houndmills, Basingstoke, Hampshire ; New York, NY : Palgrave Macmillan, 2014Copyright date: ©2014Description: x, 268 pages : illustrations ; 23 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 1137375485
  • 9781137375483
Subject(s): DDC classification:
  • 791 23
LOC classification:
  • PN1995.25 .W69 2014
Contents:
The post-cinematic landscape -- Décalage and mediaphors in Robert Lepage's Elsinore and The Andersen Project -- A cinematic montage in Roadmetal Sweetbread and A Mare's Nest -- Guilty pleasures and intermedial archaeologies in the Wooster Group's House/Lights and Hamlet -- The ethics of perception in Wunschkonzert -- Disorienting landscapes in Hotel Methuselah -- Pedipulating "footage" in Duncan Speakman's As If It Were The Last Time -- Landscapes and aporias in Lars von Trier's Dogville -- Conclusion.
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Includes bibliographical references and index.

The post-cinematic landscape -- Décalage and mediaphors in Robert Lepage's Elsinore and The Andersen Project -- A cinematic montage in Roadmetal Sweetbread and A Mare's Nest -- Guilty pleasures and intermedial archaeologies in the Wooster Group's House/Lights and Hamlet -- The ethics of perception in Wunschkonzert -- Disorienting landscapes in Hotel Methuselah -- Pedipulating "footage" in Duncan Speakman's As If It Were The Last Time -- Landscapes and aporias in Lars von Trier's Dogville -- Conclusion.

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