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Designing everyday life / with contributions by Jan Boelen [and others] and interviews with David Crowley [and others] ; [edited by Jan Boelen, Vera Sacchetti ; translations from Slovene to English, Rawley Grau, Darja Horvatič].

Contributor(s): Material type: TextTextLanguage: English Original language: Slovenian Publisher: Ljubljana : Zürich : Museum of Architecture and Design (MAO) ; Park Books, [2014]Copyright date: ©2014Description: 534 pages : illustrations (chiefly colour), maps, portraits ; 24 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 3906027678
  • 9783906027678
Subject(s): DDC classification:
  • 745.4 23
LOC classification:
  • NK1471.S562 L583x 2014
Contents:
Foreword / Matevž Čelik -- Designing Everyday Life -- Testing the Everyday / Jan Boelen -- Interview with Konstantin Grcic -- Dreaming of Year Zero / Justin McGuirk -- Interview with Thomas Lommée -- Agonism, Democracy and Design / Chantal Mouffe -- Interview with Liesbeth Huybrechts -- Design as an Ideological State / Apparatus { Slavoj Žižek -- Affordable Living -- Knowing Food -- Public Water Public Space -- Walking the City -- Hidden Crafts -- The Fashion System -- Hacking Households -- Nanotourism -- Engine Blocks -- Observing Space -- Designing Life -- Another History -- Interview with Saša J. Mächtig -- Continuity and Change: The Biennial of (Industrial) Design over Fifty Years / Cvetka Požar -- Interview with David Crowley -- A Good Virus / Vera Sacchetti, Tamar Shafrir -- Interview with Alice Rawsthorn.
Summary: Organized by Slovenia's Museum of Architecture and Design, the Biennial of Design (BIO) brings together over a period of six months more than one hundred designers and artists from around the world who, together, engage in large-scale collaborative design projects. One of the oldest design events in the world, the Biennial also stands apart for its focus on the capacity of design to solve problems affecting everyday life, as well as its eschewal of the traditional award system, opting instead to reward successful collaboration. In September 2014, eleven teams met at the BIO 50, the biennial's twenty-fourth edition, to present projects that respond to topics ranging from affordable living to nanotourism. One project, for instance, suggests ways in which we might reclaim public space to encourage walking within urban areas. Another considers how a country's rich craft tradition might be better brought to bear on contemporary design. Still another laments the disposability of modern appliances. A companion to the most recent Biennial, Designing Everyday Life compiles more than two hundred photographs, diagrams, and sketches, as well as essays on the history and legacy of the event and interviews with New York Times design critic Alice Rawsthorn and industrial designers Konstantin Grcic and Saša Maechtig.
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Exhibition catalog.

On the occasion of the 24th Biennial of Design held at Museum of Architecture and Design, Jakopic Gallery and Museum of Modern Art, Ljubljana, September 18 - December 7, 2014.

Includes bibliographical references.

Foreword / Matevž Čelik -- Designing Everyday Life -- Testing the Everyday / Jan Boelen -- Interview with Konstantin Grcic -- Dreaming of Year Zero / Justin McGuirk -- Interview with Thomas Lommée -- Agonism, Democracy and Design / Chantal Mouffe -- Interview with Liesbeth Huybrechts -- Design as an Ideological State / Apparatus { Slavoj Žižek -- Affordable Living -- Knowing Food -- Public Water Public Space -- Walking the City -- Hidden Crafts -- The Fashion System -- Hacking Households -- Nanotourism -- Engine Blocks -- Observing Space -- Designing Life -- Another History -- Interview with Saša J. Mächtig -- Continuity and Change: The Biennial of (Industrial) Design over Fifty Years / Cvetka Požar -- Interview with David Crowley -- A Good Virus / Vera Sacchetti, Tamar Shafrir -- Interview with Alice Rawsthorn.

Organized by Slovenia's Museum of Architecture and Design, the Biennial of Design (BIO) brings together over a period of six months more than one hundred designers and artists from around the world who, together, engage in large-scale collaborative design projects. One of the oldest design events in the world, the Biennial also stands apart for its focus on the capacity of design to solve problems affecting everyday life, as well as its eschewal of the traditional award system, opting instead to reward successful collaboration. In September 2014, eleven teams met at the BIO 50, the biennial's twenty-fourth edition, to present projects that respond to topics ranging from affordable living to nanotourism. One project, for instance, suggests ways in which we might reclaim public space to encourage walking within urban areas. Another considers how a country's rich craft tradition might be better brought to bear on contemporary design. Still another laments the disposability of modern appliances. A companion to the most recent Biennial, Designing Everyday Life compiles more than two hundred photographs, diagrams, and sketches, as well as essays on the history and legacy of the event and interviews with New York Times design critic Alice Rawsthorn and industrial designers Konstantin Grcic and Saša Maechtig.

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