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Introducing philosophy of art : in eight case studies / Derek Matravers.

By: Material type: TextTextPublisher: Durham, U.K. : Acumen Pub., 2013Description: ix, 165 pages, 8 unnumbered pages of plates : illustrations ; 24 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 1844655377
  • 9781844655373
Subject(s): DDC classification:
  • 701 23
LOC classification:
  • BH39 .M42 2012x
Contents:
Introduction -- 1. What is Art? (Yves Klein's Anthropometries) -- 2. The Value of Art (Lucian Freud's Hotel Bedroom) -- 3. Expression (Mark Rothko's Black on Maroon) -- 4. Forgeries, Copies and Variations (Gerhard Richter's Dead 2) -- 5. Intention and Interpretation (Louise Bourgeois's Maman) -- 6. Beauty and Ugliness (Francis Bacon's Three Studies for Figures at the Base of the Crucifixion) -- 7. Art and Knowledge (Edward Hopper's Nighthawks) -- 8. Art and Morality (Balthus's Therese Dreaming).
Summary: "Derek Matravers introduces students to the philosophy of art through a close examination of eight famous works of twentieth-century art. Each work has been chosen in order to best illustrate and illuminate a particular problem in aesthetics. Each artwork forms the basis of a single chapter and readers are introduced to such issues as artistic value, intention, interpretation, and expression through a careful analysis of the artwork. Questions considered include What does art mean in contemporary art practice? Is the artistic value of a painting the same as how much you like it? If a painting isn't of anything, then how do we understand it? Can art be immoral? By grounding abstract and theoretical discussion in real examples the book provides an excellent way into the subject for readers new to the philosophical dimension of art appreciation."--Publisher's description.
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Includes bibliographical references and index.

Introduction -- 1. What is Art? (Yves Klein's Anthropometries) -- 2. The Value of Art (Lucian Freud's Hotel Bedroom) -- 3. Expression (Mark Rothko's Black on Maroon) -- 4. Forgeries, Copies and Variations (Gerhard Richter's Dead 2) -- 5. Intention and Interpretation (Louise Bourgeois's Maman) -- 6. Beauty and Ugliness (Francis Bacon's Three Studies for Figures at the Base of the Crucifixion) -- 7. Art and Knowledge (Edward Hopper's Nighthawks) -- 8. Art and Morality (Balthus's Therese Dreaming).

"Derek Matravers introduces students to the philosophy of art through a close examination of eight famous works of twentieth-century art. Each work has been chosen in order to best illustrate and illuminate a particular problem in aesthetics. Each artwork forms the basis of a single chapter and readers are introduced to such issues as artistic value, intention, interpretation, and expression through a careful analysis of the artwork. Questions considered include What does art mean in contemporary art practice? Is the artistic value of a painting the same as how much you like it? If a painting isn't of anything, then how do we understand it? Can art be immoral? By grounding abstract and theoretical discussion in real examples the book provides an excellent way into the subject for readers new to the philosophical dimension of art appreciation."--Publisher's description.

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