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Henry Cole and the chamber of horrors : the curious origins of the Victoria and Albert Museum / Christopher Frayling.

By: Material type: TextTextPublisher: London : V&A Publishing, 2010Edition: Paperback editionDescription: 96 pages : illustrations (some colour), portraits ; 24 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9781851776238
  • 1851776230
Other title:
  • Curious origins of the Victoria and Albert Museum
Subject(s): DDC classification:
  • 069 23
LOC classification:
  • AM
  • NK480.L7 F73 2010
Contents:
Two terriers -- The government officer -- A museum of ornamental art -- A house full of horrors -- Indefensible principle -- The Etruscan tea set -- A powerful antidote to the Gin Palace -- Head, heart & hand.
Summary: In this entertaining account of the origins and early history of the Victoria and Albert Museum, Christopher Frayling shows how the Museum's first director attempted to define the principles of good and bad design, and in doing so laid the foundations of one of the world's great public institutions. His gallery of false principles, which opened in 1852 and came to be called the 'chamber of horrors' was, in effect, the Museum's inaugural exhibition. Many of the exhibits in the chamber of horrors are now lost but all those known to survive have been recovered and brought together here for the first time.
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"Being the first 'Henry Cole Lecture' given on 30 October 2008, at the Sackler Centre, V&A."

Includes bibliographical references.

Two terriers -- The government officer -- A museum of ornamental art -- A house full of horrors -- Indefensible principle -- The Etruscan tea set -- A powerful antidote to the Gin Palace -- Head, heart & hand.

In this entertaining account of the origins and early history of the Victoria and Albert Museum, Christopher Frayling shows how the Museum's first director attempted to define the principles of good and bad design, and in doing so laid the foundations of one of the world's great public institutions. His gallery of false principles, which opened in 1852 and came to be called the 'chamber of horrors' was, in effect, the Museum's inaugural exhibition. Many of the exhibits in the chamber of horrors are now lost but all those known to survive have been recovered and brought together here for the first time.

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