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The psychology of contemporary art / Gregory Minissale.

By: Material type: TextTextPublisher: New York : Cambridge University Press, 2013Copyright date: ©2013Description: 372 pages : illustrations ; 24 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9781107019324
  • 110701932X
Subject(s): DDC classification:
  • 709.04 23
LOC classification:
  • N6490 .M537 2013
Contents:
Introduction -- Brain -- Body -- World.
Summary: "While recent studies in neuroscience and psychology have shed light on our sensory and perceptual responses to art, they have yet to explain our responses to contemporary art which downplays perceptual responses and instead encourages conceptual thought. The Psychology of Contemporary Art brings together the most important developments in recent scientific research on visual perception and cognition and applies the results of empirical experiments to analyses of contemporary artworks not normally addressed by psychological studies. The author explains, in simple terms, how neuroaesthetics, embodiment, metaphor, conceptual blending, situated cognition and extended mind offer fresh perspectives on specific contemporary artworks - including those of Marina Abramović, Francis Alÿs, Tracey Emin, Felix Gonzales-Torres, Marcus Harvey, Mona Hatoum, Thomas Hirschorn, Gabriel Orozco, Marc Quinn and Cindy Sherman. This book will appeal to psychologists, cognitive scientists, artists and art historians, as well as those interested in a deeper understanding of contemporary art"-- Provided by publisher.
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Holdings
Item type Current library Call number Copy number Status Date due Barcode
Book City Campus City Campus Main Collection 709.04 MIN (Browse shelf(Opens below)) 1 Available A511597B

Introduction -- Brain -- Body -- World.

"While recent studies in neuroscience and psychology have shed light on our sensory and perceptual responses to art, they have yet to explain our responses to contemporary art which downplays perceptual responses and instead encourages conceptual thought. The Psychology of Contemporary Art brings together the most important developments in recent scientific research on visual perception and cognition and applies the results of empirical experiments to analyses of contemporary artworks not normally addressed by psychological studies. The author explains, in simple terms, how neuroaesthetics, embodiment, metaphor, conceptual blending, situated cognition and extended mind offer fresh perspectives on specific contemporary artworks - including those of Marina Abramović, Francis Alÿs, Tracey Emin, Felix Gonzales-Torres, Marcus Harvey, Mona Hatoum, Thomas Hirschorn, Gabriel Orozco, Marc Quinn and Cindy Sherman. This book will appeal to psychologists, cognitive scientists, artists and art historians, as well as those interested in a deeper understanding of contemporary art"-- Provided by publisher.

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