100 ideas that changed art / Michael Bird.
Material type: TextPublisher: London : Laurence King Pub., 2012Description: 216 pages : illustrations (some colour) ; 27 cmContent type:- text
- unmediated
- volume
- 1856697959
- 9781856697958
- One hundred ideas that changed art
- Hundred ideas that changed art
- Ideas that changed art
- Art
- 709 23
- N5300 .B645 2012
Item type | Current library | Call number | Copy number | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|
Book | City Campus City Campus Main Collection | 709 BIR (Browse shelf(Opens below)) | 1 | Available | A499897B |
Includes index.
Cave and rock art -- Fired clay -- Land as material -- Statue -- Wall painting -- Scaling up -- Narrative -- Relief carving -- Body as surface -- The nude -- Contrapposto -- Propaganda -- Lost-wax carving -- Paper -- Memorial -- Architectural sculpture -- Word as image -- Colored glass -- Frame -- Icon -- Making books -- The grotesque -- Erotic art -- Handwriting -- Mosaic -- Multi-panel painting -- Miniatures -- Oil paint -- Window on the world -- Mathematics -- Linear perspective -- Trompe-l'oeil -- Color codes -- Allegory -- Portrait -- The sketch -- Mirrors -- Printmaking -- Chiaroscuro -- Anatomy -- Still life -- Copying -- Canvas -- Camera obscura -- Reinventing Greek art -- Landscape -- Series -- Collections -- History painting -- Whiteness -- Academies -- Romanticism -- Authenticity -- The artist -- Watercolor -- Confronting reality -- Medievalism -- Dealing -- Capturing the instant -- Assemblage -- Commercial design -- Paint in tubes -- Photography -- Art colonies -- Artificial light -- The unconscious -- The primitive -- Multiple viewpoints -- Collage -- Machine forms -- Abstract art -- Satire -- Found objects -- Kinetic art -- Scenes of daily life -- Installation -- Expressing inner states -- Plastics -- Protest -- Documentary -- Chance -- Shock -- Welding -- Pop -- Less is more -- Opticality -- Hallucinogens -- Performance art -- Personal is political -- Moving images -- Conceptual art -- Titles -- Body as medium -- Street art -- Globalization -- Digital technology -- Museum -- Negative space -- The internet -- Ephemerality.
Machine converted from AACR2 source record.
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