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Artwork as social model : a manual of questions and propositions / Stephen Willats.

By: Contributor(s): Material type: TextTextPublisher: Sheffield : RGAP (Research Group for Artists), 2012Description: various pagings : illustrations ; 24 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 0956902421
  • 9780956902429
Subject(s): DDC classification:
  • 709.2 23
LOC classification:
  • N72.S6 W55 2012
Contents:
Forming models about art -- The artwork as a product of society -- Pluralism in the function of art -- The social containment of art practice -- The mythology of creativity -- The stylism of the contemporary avant garde -- The formation of beliefs and attitudes about art -- The appropriation of art practice -- Universal meaning and transmissional networks -- The reality of relativity in meaning -- Inside the museum: the artwork as emulative icon -- Rethinking the iconography of art -- Proposing a social model of art practice -- The totally connected artwork -- Making the audience the rationale -- The contextualisation of art strategies -- Transforming the role of the art museum -- The artwork as a structure of events through time -- Artwork as the dynamic simulation of a social model -- The audience as participants -- Problem solving as a creator of insight -- Secret language -- The experience of determinism -- The expression of counter consciousness -- Representation of polemics -- Speculation and experience -- The diagram as a modelling tool -- Person to person people to people -- A social method of work -- Meeting of minds -- From marginal diversity -- Transformation and open networks.
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Holdings
Item type Current library Call number Copy number Status Date due Barcode
Book City Campus City Campus Main Collection 709.2 WIL (Browse shelf(Opens below)) 1 Available A480700B

Forming models about art -- The artwork as a product of society -- Pluralism in the function of art -- The social containment of art practice -- The mythology of creativity -- The stylism of the contemporary avant garde -- The formation of beliefs and attitudes about art -- The appropriation of art practice -- Universal meaning and transmissional networks -- The reality of relativity in meaning -- Inside the museum: the artwork as emulative icon -- Rethinking the iconography of art -- Proposing a social model of art practice -- The totally connected artwork -- Making the audience the rationale -- The contextualisation of art strategies -- Transforming the role of the art museum -- The artwork as a structure of events through time -- Artwork as the dynamic simulation of a social model -- The audience as participants -- Problem solving as a creator of insight -- Secret language -- The experience of determinism -- The expression of counter consciousness -- Representation of polemics -- Speculation and experience -- The diagram as a modelling tool -- Person to person people to people -- A social method of work -- Meeting of minds -- From marginal diversity -- Transformation and open networks.

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