Picturing Afghanistan : the photography of foreign conflict / Paul Verschueren.
Material type: TextSeries: Hampton Press communication series. Communication, globalization and cultural identity.Publisher: New York : Hampton Press, [2012]Copyright date: ©2012Description: xiii, 199 pages : illustrations ; 24 cmContent type:- text
- unmediated
- volume
- 1612890385
- 9781612890388
- 1612890393
- 9781612890395
- Afghan War, 2001- -- Photography
- Afghan War, 2001- -- Pictorial works
- Afghan War, 2001- -- Press coverage
- Afghan War, 2001- -- Political aspects
- Psychological warfare -- Afghanistan
- Propaganda -- Western countries
- Public relations and politics -- Western countries
- Journalism -- Political aspects -- Western countries
- Photobooks -- Political aspects -- Western countries
- Mass media and war -- Western countries
- 070.4499581047 23
- DS371.4135 .V47 2012
Item type | Current library | Call number | Copy number | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|
Book | City Campus City Campus Main Collection | 070.4499581047 VER (Browse shelf(Opens below)) | 1 | Available | A483774B |
Browsing City Campus shelves, Shelving location: City Campus Main Collection Close shelf browser (Hides shelf browser)
070.44995670443 SYL Reporting from the front : the media and the military / | 070.449956704430973 BRI Bring 'em on : media and politics in the Iraq war / | 070.44995694054 DOR The suppression of guilt : the Israeli media and the reoccupation of the West Bank / | 070.4499581047 VER Picturing Afghanistan : the photography of foreign conflict / | 070.44995970 REP Reporting Vietnam : American journalism, 1959-1975 / | 070.4499597043 LUN Vietnam : a reporter's war / | 070.4499597043 REP Reporting Vietnam. |
Includes bibliographical references (pages 161-183) and index.
1. Photographs and frames; Photography and theory; The concept of the frame; Using social semiotics for frame analysis; The photojournalistic register and genre; Visual and textual frames; Two examples -- 2. Official U.S. views; Photography and propaganda; A soldier's story; Paper bullets; The white man's burden; Photo-texts in/about war -- 3. Western European press views; Photography and the news; Initial responses across the Atlantic; The framing of combatants and technologies; Visualizing leadership in wartime; Home fronts in a globalized world; Refugees: threatened and dangerous; The civilian body as battleground; Photography and info-graphics; Invisible Afghanistan -- 4. The photo-book; Photography and the documentary tradition; War as quest; Dystopian landscapes; The photo studio as heterotopia; The otherness of war -- Conclusion.
Machine converted from AACR2 source record.
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