Documentary : witness and self-revelation / John Ellis.
Material type:
TextPublisher: London ; New York : Routledge, 2012Description: vi, 171 pages : illustrations ; 23 cmContent type: - text
- unmediated
- volume
- 0415574188
- 9780415574181
- 0415574196
- 9780415574198
- 070.18 22
- PN1995.9.D6 E48 2012
Contents:
Introduction -- From reconstruction to observation: a history of documentary 1895-1995 -- New attitudes to documentary -- The changing technologies of documentary filmmaking -- Performance and self-revelation -- Documentary filming as personal interaction -- Editing, narrative and separation -- The changing technologies of documentary editing -- Slow film -- The eventual viewer -- Ambivalent feelings about photography and recording -- Witness and watching -- Ethics, interpretation and the new viewer -- Conclusion.
| Item type | Current library | Call number | Copy number | Status | Date due | Barcode | |
|---|---|---|---|---|---|---|---|
| Book | City Campus City Campus Main Collection | 070.18 ELL (Browse shelf(Opens below)) | 1 | Available | A483754B |
Browsing City Campus shelves, Shelving location: City Campus Main Collection Close shelf browser (Hides shelf browser)
| 070.18 DOC Docufictions : essays on the intersection of documentary and fictional filmmaking / | 070.18 DOC Documentary testimonies : global archives of suffering / | 070.18 DOC Documentary in Wales : cultures and practices / | 070.18 ELL Documentary : witness and self-revelation / | 070.18 ENC VOLUME 1 Encyclopedia of the documentary film / | 070.18 ENC VOLUME 2 Encyclopedia of the documentary film / | 070.18 ENC VOLUME 3 Encyclopedia of the documentary film / |
Includes bibliographical references (pages 161-167) and index.
Introduction -- From reconstruction to observation: a history of documentary 1895-1995 -- New attitudes to documentary -- The changing technologies of documentary filmmaking -- Performance and self-revelation -- Documentary filming as personal interaction -- Editing, narrative and separation -- The changing technologies of documentary editing -- Slow film -- The eventual viewer -- Ambivalent feelings about photography and recording -- Witness and watching -- Ethics, interpretation and the new viewer -- Conclusion.
Machine converted from AACR2 source record.
There are no comments on this title.
Log in to your account to post a comment.