Teaching dancing with ideokinetic principles / Drid Williams.
Material type: TextPublisher: Urbana : University of Illinois Press, [2011]Copyright date: ©2011Description: xiii, 128 pages : illustrations ; 23 cmContent type:- text
- unmediated
- volume
- 0252036085
- 9780252036088
- 0252077997
- 9780252077999
- 792.8071 23
- GV1589 .W55 2011
Item type | Current library | Call number | Copy number | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|
Book | City Campus City Campus Main Collection | 792.8071 WIL (Browse shelf(Opens below)) | 1 | Available | A506431B |
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792.8071 LOW The art of teaching classical ballet / | 792.8071 MCC Teaching dance as art in education / | 792.8071 POM Perpetual motion : creative movement exercises for dance and dramatic arts / | 792.8071 WIL Teaching dancing with ideokinetic principles / | 792.8071073 HAN Partnering dance and education : intelligent moves for changing times / | 792.80711 LEG Legacy in dance education : essays and interviews on values, practices, and people : an anthology / | 792.80711 TEA Teaching dance studies / |
Includes bibliographical references and index.
"In examining ideokinesis and its application to the teaching and practice of dancing, Drid Williams introduces readers to the work of Dr. Lulu Sweigard (1895-1974), a pioneer of ideokinetic principles. Drawing on her experiences during private instructional sessions with Sweigard over a two-year span, Williams discusses methods using imagery for improving body posture and alignment for ease of movement. Central to Williams's own teaching methods is the application of Sweigard's principles and general anatomical instruction, including how she used visual imagery to help prevent bodily injuries and increasing body awareness relative to movement. Williams also emphasizes the differences between kinesthetic (internal) and mirror (external) imagery and shares reactions from professional dancers who were taught using ideokinesis. Williams's account of teaching and practicing ideokinesis is supplemented with essays by Sweigard, William James, and Jean-Georges Noverre on dancing, posture, and habits. Teaching Dancing with Ideokinetic Principles offers an important historical perspective and valuable insights from years of teaching experience into how ideokinesis can shape a larger philosophy of the dance"--Provided by publisher.
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