Unframed : practices and politics of women's contemporary painting / edited by Rosemary Betterton.
Material type: TextPublisher: London ; New York : I.B. Tauris, 2004Description: x, 228 pages : illustrations ; 24 cmContent type:- text
- unmediated
- volume
- 1860647715
- 9781860647710
- 1860647723
- 9781860647727
- 759.06082 22
- ND195 .U54 2004
- N8354 .U64 2004
Item type | Current library | Call number | Copy number | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|
Book | City Campus City Campus Main Collection | 759.06082 UNF (Browse shelf(Opens below)) | 1 | Available | A415308B |
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759.06 ROS Cubism and twentieth-century art / | 759.06 VIT Vitamin P : new perspectives in painting : Tomma Abts, Franz Ackermann, Nader Ahriman / | 759.06 WHI Expressionism. | 759.06082 UNF Unframed : practices and politics of women's contemporary painting / | 759.0609045 REC Reconstructing modernism : art in New York, Paris, and Montreal, 1945-1964 / | 759.0612 LUC Art deco painting / | 759.063 GER Cubism and futurism : the evolution of the self-sufficient picture / |
Includes bibliographical references (pages 213-220) and index.
Unframing women's painting / Rosemary Betterton -- 'Before her time?' Lily Briscoe and painting now / Alison Rowley -- Painting is not a representational practice / Barb Bolt -- Walking with Judy Watson: painting, politics and intercorporeality / Marsha Meskimmon -- Susan Hiller's painted work: bodies, aesthetics and feminism / Rosemary Betterton -- The self-portrait and the I/eye / Partou -- Threads: dialogues with Jo Bruton, Beth Harland, Nicky May and Katie Pratt / Rosa Lee -- Seeing and feeling / Rebecca Fortnum -- Restretching the canvas / Pam Skelton -- Inside the invisible: painting histories / Lubaina Himid -- Revisiting Ann Harburz: inside community, outside convention / Joan Borsa.
"Women's painting is undergoing a vibrant revival, yet has been little explored in writing on modern visual culture. Unframed is a welcome and fresh examination of women's contemporary painting. The book uniquely presents new writing by practitioners who engage with theory and critical theorists who deal directly with contemporary practice. All contributors reflect on their own practice and that of other women painters and theorists; throughout their common aim is to develop innovative ways of thinking about and through painting by women. The book focuses on current debates on gender, subjectivity, spectatorship and painting and successfully moves them forward in the new millennium. It will appeal to a range of readers, including scholars, students, artists and gallery goers."--Publisher description.
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