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Home, land and sea : situating music in Aotearoa New Zealand / [edited by] Glenda Keam and Tony Mitchell.

Contributor(s): Material type: TextTextPublisher: North Shore, N.Z. : Pearson, [2011]Copyright date: ©2011Description: xxviii, 292 pages : illustrations ; 24 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 1442516321
  • 9781442516328
Subject(s): DDC classification:
  • 780.993 22
Contents:
Machine-generated contents note: Acknowledgements -- About the contributors -- Introduction - New Zealand music and a poetics of place - Glenda Keam and Tony Mitchell -- Part 1 - Taonga Puoro, Pasifikan descendants and reggae -- Chapter 1 - Kaupapa and whakapapa in contemporary Mäori music - Tony Mitchell and Tama Waipara -- Chapter 2 - Pasifika R & B divas: gender, culture and identity in Pacific pop music - Kirsten Zemke and Su'eina Sharon Televave -- Chapter 3 - And the winner is ... identity, power and change in the New Zealand Pacific Music Awards - Sara-Jane Elika -- Chapter 4 - 'Oh, reggae but different!' The localisation of roots reggae in Aotearoa - Jennifer Cattermole -- Part 2 - Music and New Zealand cultural identities -- Chapter 5 - 'Welcome home': Music, rugby and place - Sally Bodkin-Allen -- Chapter 6 - Migrant music and cultural identity - Dan Bendrups and Henry Johnson -- Chapter 7 - How many FOBS you know 'flow' like this? Parody, popular music and articulation of 'Asian' Belonging - Sarina Pearson -- Chapter 8 - New Zealand hip hop stands up - Kirsten Zemke -- Part 3 - Place Studies I: Auckland and Wellington -- Chapter 9 - Songlines and timelines through Auckland: music in the 'Queen City' - Tony Mitchell -- Chapter 10 - 'Sounds like home': TrinityRoots and jazz-dub reggae in Wellington - Norman Meehan -- Chapter 11 - 'DIY or DIT!' Tales of making music in a creative capital - Geoff Stahl -- Chapter 12 - Performing identity and place in Wellington's Cuba Street Carnival - Shelley D. Brunt -- Part 4 - Place Studies II: Christchurch and Dunedin -- Chapter 13 - Flat city sounds redux: a musical 'countercartography' of Christchurch - Tony Mitchell -- Chapter 14 - Success story: scenes from the South Island - Jon Dale -- Chapter 15 - The shifting spaces and practices of dance music DJs in Dunedin - Chris Gibson and Andrew McGregor -- Part 5 - Art music, landscapes of listening and experimental soundscapes -- Chapter 16 - Attachments to place: locative aspects of New Zealand art music - Glenda Keam - Chapter 17 - Centripetal, centrifugal: electroacoustic music - Dugal McKinnon - Chapter 18 - Sonic invention: experimental sound-making - Andrew Clifford, in consultation with Philip Dadson -- Chapter 19 - Lines of Flight: 'the most perfectly autonomous sector of the field of cultural production' - Bruce Russell -- Afterword - Don McGlashan
Summary: "Presents twenty different viewpoints on music in Aotearoa/New Zealand. A selection of experts examine the vast range of music production in this country and relate it to what it might say about our homeland, our diverse population, our landscape and our identities. The collection surveys traditional and popular music created by Maori and Pacific Islanders, distinctively Polynesian brands of reggae and hip hop, the music of migrants from such areas as Latin America, China, Japan and Greece, the electronic and instrumental music traditions made more local by Douglas Lilburn, the internationally recognised 'Dunedin sound' of the Flying Nun label, and the eccentric electroacoustic of 'outsider' musicians, revealing an ever-increasing diversity of music in New Zealand. Home, Land and Sea is the first comprehensive academic study incorporating contemporary popular, experimental and art music practices in New Zealand. Written for a tertiary audience it will be of relevance to scholars of a variety of disciplines including music; media and communications; cultural studies; sociology; anthropology and geography"--Back cover.
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Holdings
Item type Current library Call number Copy number Status Date due Barcode
Book City Campus City Campus Main Collection 780.993 HOM (Browse shelf(Opens below)) 1 Available A490867B
Book City Campus City Campus Main Collection 780.993 HOM (Browse shelf(Opens below)) 1 Available A492249B

"The first comprehensive academic study incorporating contemporary popular, experimental and art music practices in New Zealand"--Back cover.

Includes bibliographical references and index.

Machine-generated contents note: Acknowledgements -- About the contributors -- Introduction - New Zealand music and a poetics of place - Glenda Keam and Tony Mitchell -- Part 1 - Taonga Puoro, Pasifikan descendants and reggae -- Chapter 1 - Kaupapa and whakapapa in contemporary Mäori music - Tony Mitchell and Tama Waipara -- Chapter 2 - Pasifika R & B divas: gender, culture and identity in Pacific pop music - Kirsten Zemke and Su'eina Sharon Televave -- Chapter 3 - And the winner is ... identity, power and change in the New Zealand Pacific Music Awards - Sara-Jane Elika -- Chapter 4 - 'Oh, reggae but different!' The localisation of roots reggae in Aotearoa - Jennifer Cattermole -- Part 2 - Music and New Zealand cultural identities -- Chapter 5 - 'Welcome home': Music, rugby and place - Sally Bodkin-Allen -- Chapter 6 - Migrant music and cultural identity - Dan Bendrups and Henry Johnson -- Chapter 7 - How many FOBS you know 'flow' like this? Parody, popular music and articulation of 'Asian' Belonging - Sarina Pearson -- Chapter 8 - New Zealand hip hop stands up - Kirsten Zemke -- Part 3 - Place Studies I: Auckland and Wellington -- Chapter 9 - Songlines and timelines through Auckland: music in the 'Queen City' - Tony Mitchell -- Chapter 10 - 'Sounds like home': TrinityRoots and jazz-dub reggae in Wellington - Norman Meehan -- Chapter 11 - 'DIY or DIT!' Tales of making music in a creative capital - Geoff Stahl -- Chapter 12 - Performing identity and place in Wellington's Cuba Street Carnival - Shelley D. Brunt -- Part 4 - Place Studies II: Christchurch and Dunedin -- Chapter 13 - Flat city sounds redux: a musical 'countercartography' of Christchurch - Tony Mitchell -- Chapter 14 - Success story: scenes from the South Island - Jon Dale -- Chapter 15 - The shifting spaces and practices of dance music DJs in Dunedin - Chris Gibson and Andrew McGregor -- Part 5 - Art music, landscapes of listening and experimental soundscapes -- Chapter 16 - Attachments to place: locative aspects of New Zealand art music - Glenda Keam - Chapter 17 - Centripetal, centrifugal: electroacoustic music - Dugal McKinnon - Chapter 18 - Sonic invention: experimental sound-making - Andrew Clifford, in consultation with Philip Dadson -- Chapter 19 - Lines of Flight: 'the most perfectly autonomous sector of the field of cultural production' - Bruce Russell -- Afterword - Don McGlashan

"Presents twenty different viewpoints on music in Aotearoa/New Zealand. A selection of experts examine the vast range of music production in this country and relate it to what it might say about our homeland, our diverse population, our landscape and our identities. The collection surveys traditional and popular music created by Maori and Pacific Islanders, distinctively Polynesian brands of reggae and hip hop, the music of migrants from such areas as Latin America, China, Japan and Greece, the electronic and instrumental music traditions made more local by Douglas Lilburn, the internationally recognised 'Dunedin sound' of the Flying Nun label, and the eccentric electroacoustic of 'outsider' musicians, revealing an ever-increasing diversity of music in New Zealand. Home, Land and Sea is the first comprehensive academic study incorporating contemporary popular, experimental and art music practices in New Zealand. Written for a tertiary audience it will be of relevance to scholars of a variety of disciplines including music; media and communications; cultural studies; sociology; anthropology and geography"--Back cover.

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