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Gaze and voice as love objects / Renata Salecl and Slavoj Žižek, editors.

Contributor(s): Material type: TextTextSeries: SIC (Durham, N.C.) ; 1.Publisher: Durham : Duke University Press, [1996]Copyright date: ©1996Description: 255 pages : illustrations ; 24 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 0822318067
  • 9780822318064
  • 082231813X
  • 9780822318132
Subject(s): DDC classification:
  • 801.95 22
LOC classification:
  • PN98.P75 G39 1996
Contents:
The object voice / Mladen Dolar -- Philosopher's blind man's buff [sic] / Alenka Zupančič -- Killing gazes, killing in the gaze : on Michael Powell's Peeping Tom / Elisabeth Bronfen -- "I hear you with my eyes," or, The invisible master / Slavoj Žižek -- At first sight / Mladen Dolar -- On the sexual production of Western subjectivity, or, Saint Augustine as a social democrat / Fredric Jameson -- I can't love you unless I give you up / Renata Salecl -- "There is no sexual relationship" / Slavoy Žižek.
Summary: The gaze entices, inspects, fascinates. The voice hypnotizes, seduces, disarms. Are gaze and voice part of the relationship we call love ... or hate? If so, what part? How do they function? This provocative book examines love as the mediating entity in the essential antagonism between the sexes, and gaze and voice as love's medium. The contributors proceed from the Lacanian premise that "there is no sexual relationship," that the sexes are in no way complementary, and that love - figured in the gaze and the voice - embodies the promise and impossibility of any relation between them.Summary: The first detailed Lacanian elaboration of this topic, Gaze and Voice as Love Objects examines the status of gaze, voice, and love in philosophy from Plato to Kant, in ideology from early Christianity to contemporary cynicism, in music from Hildegard of Bingen to Richard Wagner, in literature from Edith Wharton's Age of Innocence to Kazuo Ishiguro's The Remains of the Day, and in cinema from Michael Powell's Peeping Tom to Kieslowski's A Short Film on Love. Throughout, the contributors seek to show that the conflict between the sexes is the site of a larger battle over the destiny of modernity. Approaching its topic with utter disregard for predominant multiculturalist and deconstructionist commonplaces, and with insights into the underlying target of racist and sexist violence, this book offers surprising revelations into the nature of an ancient enigma - love.
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Holdings
Item type Current library Call number Copy number Status Date due Barcode
Book North Campus North Campus Main Collection 801.95 GAZ (Browse shelf(Opens below)) 1 Available A503405B

Includes bibliographical references and index.

The object voice / Mladen Dolar -- Philosopher's blind man's buff [sic] / Alenka Zupančič -- Killing gazes, killing in the gaze : on Michael Powell's Peeping Tom / Elisabeth Bronfen -- "I hear you with my eyes," or, The invisible master / Slavoj Žižek -- At first sight / Mladen Dolar -- On the sexual production of Western subjectivity, or, Saint Augustine as a social democrat / Fredric Jameson -- I can't love you unless I give you up / Renata Salecl -- "There is no sexual relationship" / Slavoy Žižek.

The gaze entices, inspects, fascinates. The voice hypnotizes, seduces, disarms. Are gaze and voice part of the relationship we call love ... or hate? If so, what part? How do they function? This provocative book examines love as the mediating entity in the essential antagonism between the sexes, and gaze and voice as love's medium. The contributors proceed from the Lacanian premise that "there is no sexual relationship," that the sexes are in no way complementary, and that love - figured in the gaze and the voice - embodies the promise and impossibility of any relation between them.

The first detailed Lacanian elaboration of this topic, Gaze and Voice as Love Objects examines the status of gaze, voice, and love in philosophy from Plato to Kant, in ideology from early Christianity to contemporary cynicism, in music from Hildegard of Bingen to Richard Wagner, in literature from Edith Wharton's Age of Innocence to Kazuo Ishiguro's The Remains of the Day, and in cinema from Michael Powell's Peeping Tom to Kieslowski's A Short Film on Love. Throughout, the contributors seek to show that the conflict between the sexes is the site of a larger battle over the destiny of modernity. Approaching its topic with utter disregard for predominant multiculturalist and deconstructionist commonplaces, and with insights into the underlying target of racist and sexist violence, this book offers surprising revelations into the nature of an ancient enigma - love.

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