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Eva Hesse spectres, 1960 / edited by E. Luanne McKinnon.

Contributor(s): Material type: TextTextPublisher: New Haven : Albuquerque : Yale University Press ; University of New Mexico Art Museum, [2010]Copyright date: ©2010Description: 88 pages : illustrations (chiefly colour) ; 26 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 0300164157
  • 9780300164152
Other title:
  • Eva Hesse spectres, nineteen sixty
Subject(s): DDC classification:
  • 759.13 22
LOC classification:
  • ND237.H42 A4 2010
Contents:
Me, you, us : Eva Hesse's early paintings / Helen Molesworth -- Eva's Eva / E. Luanne Mckinnon -- The spectral bride and her uncanny double / Elisabeth Bronfen -- An instrument in the shape of a woman : the real nonsense of Eva Hesse / Louise S. Milne.
Summary: In 1960, Eva Hesse created an unusual group of oil paintings that foretell her desire to embody emotional states in abstract form. This book seeks to consider these 'spectre' paintings as manifestations of a private, haunted interiority in the context of the artist's burgeoning maturity.
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Holdings
Item type Current library Call number Copy number Status Date due Barcode
Book City Campus City Campus Main Collection 759.13 EVA (Browse shelf(Opens below)) 1 Available A504079B

Published in conjunction with the exhibition, Hammer Museum, L.A., Sept. 25 2010-Jan. 3, 2011; Univ. of New Mexico Art Museum, Albuquerque, Jan. 28-May 22, 2011; Elizabeth A. Sackler Center for Feminist Art, Brooklyn Museum, N.Y., Sept. 16, 2011-Jan. 8, 2012.

Includes bibliographical references.

Me, you, us : Eva Hesse's early paintings / Helen Molesworth -- Eva's Eva / E. Luanne Mckinnon -- The spectral bride and her uncanny double / Elisabeth Bronfen -- An instrument in the shape of a woman : the real nonsense of Eva Hesse / Louise S. Milne.

In 1960, Eva Hesse created an unusual group of oil paintings that foretell her desire to embody emotional states in abstract form. This book seeks to consider these 'spectre' paintings as manifestations of a private, haunted interiority in the context of the artist's burgeoning maturity.

Machine converted from AACR2 source record.

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