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Planes of composition : dance, theory, and the global / edited by André Lepecki and Jenn Joy.

Contributor(s): Material type: TextTextPublisher: London ; New York : Seagull, 2009Copyright date: ©2008Description: xiii, 400 pages : illustrations ; 25 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 1906497249
  • 9781906497248
Subject(s): DDC classification:
  • 792.8201 22
LOC classification:
  • GV1782.5 .P53 2009
Contents:
Mobilization of the planet from the spirit of self-intensification -- Jagged presence in the liquid city: choreographing Hong Kong's handover -- Dancing embodiment, theorizing space: exploring the 'third space' in Akram Khan's zero degrees -- Anatomies of spasm -- Paradoxical body -- Elasticity of the almost -- Stroboscopic stutter: on the not-yet-captured ontological condition of limit-attractions -- Relational gestures: allitérations and the limits of the choreographic -- Scène and contemporaneity -- Creative endurance and the face machine: Rosanne Spradlin's Survive Cycle -- How to knit your own private political body? On deufert + plischke's Directory Project -- Drawing with feet, walking on hands: Robin Rhode's Frequency -- Four years later -- Deborah Hay's O, O -- Researching dance in the wild: Brazilian experiences -- Apparatus, attention and the body: the theatre machines of Boris Charmatz -- Paratopias of performance: the choreographic practices of chandralekha -- Gesturing Hooman Sharifi: on gesture, mass and resistance.
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Includes bibliographical references.

Mobilization of the planet from the spirit of self-intensification -- Jagged presence in the liquid city: choreographing Hong Kong's handover -- Dancing embodiment, theorizing space: exploring the 'third space' in Akram Khan's zero degrees -- Anatomies of spasm -- Paradoxical body -- Elasticity of the almost -- Stroboscopic stutter: on the not-yet-captured ontological condition of limit-attractions -- Relational gestures: allitérations and the limits of the choreographic -- Scène and contemporaneity -- Creative endurance and the face machine: Rosanne Spradlin's Survive Cycle -- How to knit your own private political body? On deufert + plischke's Directory Project -- Drawing with feet, walking on hands: Robin Rhode's Frequency -- Four years later -- Deborah Hay's O, O -- Researching dance in the wild: Brazilian experiences -- Apparatus, attention and the body: the theatre machines of Boris Charmatz -- Paratopias of performance: the choreographic practices of chandralekha -- Gesturing Hooman Sharifi: on gesture, mass and resistance.

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