Image from Coce

Background noise : perspectives on sound art / Brandon LaBelle.

By: Material type: TextTextPublisher: New York : Continuum International, 2006Description: xviii, 316 pages : illustrations ; 23 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 0826418449
  • 9780826418449
  • 0826418457
  • 9780826418456
Other title:
  • Perspectives on sound art
Subject(s): DDC classification:
  • 786.7 22
LOC classification:
  • NX650.S68 L33 2006
Contents:
Introduction : auditory relations -- Fade in -- Ch. 1. Sociality of sound : John Cage and musical concepts -- Ch. 2. Exposing the sound object : Musique Concrete's sonic research -- Ch. 3. Automatic music : Group Ongaku's performative labors -- Ch. 4. Rhythms of chaos : happenings, environments, and fluxus -- Ch. 5. Minimalist treatments : La Monte Young and Robert Morris -- Ch. 6. Conceptualizations : Michael Asher and the subject of space -- Ch. 7. Performing desire/performing fear : Vito Acconci and the power plays of voice -- Ch. 8. Finding oneself Alvin Lucier and the phenomenal voice -- Ch. 9. Word of mouth : Christof Migone's little manias -- Ch. 10. Tuning space : Max Neuhaus and site-specific sound -- Ch. 11. Other architectures : Michael Brewster, Maryanne Amacher, and Bernhard Leitner -- Ch. 12. Composing intensities : Iannis Xenakis's multimedia architectures -- Ch. 13. Seeking ursound : Hildegard Westerkamp, Steve Peters, and the soundscape -- Ch. 14. Language games : Yasunao Tone and the mechanics of information -- Ch. 15. Complicating place : Bill Fontana and networking the soundscape -- Ch. 16. Interactions : Achim Wollscheid's production of the local -- Ch. 17. Global events : Atau Tanaka and network as instrument -- Ch. 18. Live streams : Apo33 and multiplying place -- Fade out -- Conclusion : auditive pivot.
Tags from this library: No tags from this library for this title. Log in to add tags.
Holdings
Item type Current library Call number Copy number Status Date due Barcode
Book City Campus City Campus Main Collection 786.7 LAB (Browse shelf(Opens below)) 1 Available A454399B

Includes bibliographical references (pages 299-307) and index.

Introduction : auditory relations -- Fade in -- Ch. 1. Sociality of sound : John Cage and musical concepts -- Ch. 2. Exposing the sound object : Musique Concrete's sonic research -- Ch. 3. Automatic music : Group Ongaku's performative labors -- Ch. 4. Rhythms of chaos : happenings, environments, and fluxus -- Ch. 5. Minimalist treatments : La Monte Young and Robert Morris -- Ch. 6. Conceptualizations : Michael Asher and the subject of space -- Ch. 7. Performing desire/performing fear : Vito Acconci and the power plays of voice -- Ch. 8. Finding oneself Alvin Lucier and the phenomenal voice -- Ch. 9. Word of mouth : Christof Migone's little manias -- Ch. 10. Tuning space : Max Neuhaus and site-specific sound -- Ch. 11. Other architectures : Michael Brewster, Maryanne Amacher, and Bernhard Leitner -- Ch. 12. Composing intensities : Iannis Xenakis's multimedia architectures -- Ch. 13. Seeking ursound : Hildegard Westerkamp, Steve Peters, and the soundscape -- Ch. 14. Language games : Yasunao Tone and the mechanics of information -- Ch. 15. Complicating place : Bill Fontana and networking the soundscape -- Ch. 16. Interactions : Achim Wollscheid's production of the local -- Ch. 17. Global events : Atau Tanaka and network as instrument -- Ch. 18. Live streams : Apo33 and multiplying place -- Fade out -- Conclusion : auditive pivot.

Machine converted from AACR2 source record.

There are no comments on this title.

to post a comment.

Powered by Koha