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Grammar of the edit / Roy Thompson, Christopher J. Bowen.

By: Contributor(s): Material type: TextTextPublisher: Amsterdam ; Boston : Focal Press/Elsevier, [2009]Copyright date: ©2009Edition: Second editionDescription: xii, 212 pages : illustrations ; 23 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 024052120X
  • 9780240521206
Subject(s): DDC classification:
  • 777.55 23
LOC classification:
  • TR899 .T49 2009
Contents:
I. Introduction -- II. What is Editing? -- III. What is an Edit? -- Transitions Between Shots -- A. What Types of Edits are there? -- 1. The Cut -- 2. The Dissolve -- 3. The Fadeiv. The Wipe -- IV. When to make the Cut? -- For reasons of: -- A. Motivation -- B. Information -- C. Composition -- D. Sound -- E. Camera Angle -- F. Continuity -- G. Pacing -- V. The Five Most Common Edit Categories -- A. The Action Edit (continuity) -- B. Screen Position Edit (screen direction, directing the eye) -- C. Form Edit (match cut or match dissolve) -- D. Concept Edit (use of symbolism /themes to underline action /meaning) -- E. Combined Edit (several categories combined in one transition) -- VI. The Editor's Challenge: How to Handle Difficult Footage -- A. Scenarios where Film Language and Shooting-For-Editing got mixed up during production and how the editor might save the day in post.
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Holdings
Item type Current library Call number Copy number Status Date due Barcode
Book City Campus City Campus Main Collection 777.55 THO (Browse shelf(Opens below)) 1 Available A432956B

Includes index.

I. Introduction -- II. What is Editing? -- III. What is an Edit? -- Transitions Between Shots -- A. What Types of Edits are there? -- 1. The Cut -- 2. The Dissolve -- 3. The Fadeiv. The Wipe -- IV. When to make the Cut? -- For reasons of: -- A. Motivation -- B. Information -- C. Composition -- D. Sound -- E. Camera Angle -- F. Continuity -- G. Pacing -- V. The Five Most Common Edit Categories -- A. The Action Edit (continuity) -- B. Screen Position Edit (screen direction, directing the eye) -- C. Form Edit (match cut or match dissolve) -- D. Concept Edit (use of symbolism /themes to underline action /meaning) -- E. Combined Edit (several categories combined in one transition) -- VI. The Editor's Challenge: How to Handle Difficult Footage -- A. Scenarios where Film Language and Shooting-For-Editing got mixed up during production and how the editor might save the day in post.

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