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Neo-avantgarde and culture industry : essays on European and American art from 1955 to 1975 / Benjamin H.D. Buchloch.

By: Material type: TextTextPublisher: Cambridge, Mass. ; London, England : MIT Press, 2003Description: 592 pages : illustrations ; 23 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 0262523477
  • 9780262523479
Subject(s): DDC classification:
  • 709.04 22
LOC classification:
  • N6758 .B83 2003
Contents:
Michael Asher and the conclusion of modernist sculpture (1980) -- Beuys : the twilight of the idol, preliminary notes for a critique (1980) -- Marcel Broodthaers : open letters, industrial poems (1987) -- The museum and the monument : Daniel Buren's Les Couleurs / Les Formes (1981) -- Memory lessons and history tableaux : James Coleman's archaeology of spectacle (1995) -- Monuments of history in the work of Dan Graham (1978) -- Hans Haacke : memory and instrumental reason (1988) -- Hantaï/Villeglé and the dialectics of painting's dispersal (1999) -- Plenty or nothing : from Yves Klein's Le Vide to Arman's Le Plein (1998) -- Knight's moves : situating the art/object (1986) -- Structure, sign, and reference in the work of David Lamelas (1997) -- Parody and appropriation in Francis Picabia, Pop, and Sigmar Polke (1982) -- Readymade, photography, and painting in the painting of Gerhard Richter (1977) -- Process sculpture and film in Richard Serra's work (1978) -- Spero's other traditions (1996) -- Villeglé : from fragment to detail (1991) -- Andy Warhol's one-dimensional art, 1956-1966 (1989) -- Robert Watts : animate objects, inanimate subjects (2000) -- The posters of Lawrence Weiner (1986).
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Holdings
Item type Current library Call number Copy number Status Date due Barcode
Book City Campus City Campus Main Collection 709.04 BUC (Browse shelf(Opens below)) 1 Available A376029B

Originally published: 1999.

Includes bibliographical references and index.

Michael Asher and the conclusion of modernist sculpture (1980) -- Beuys : the twilight of the idol, preliminary notes for a critique (1980) -- Marcel Broodthaers : open letters, industrial poems (1987) -- The museum and the monument : Daniel Buren's Les Couleurs / Les Formes (1981) -- Memory lessons and history tableaux : James Coleman's archaeology of spectacle (1995) -- Monuments of history in the work of Dan Graham (1978) -- Hans Haacke : memory and instrumental reason (1988) -- Hantaï/Villeglé and the dialectics of painting's dispersal (1999) -- Plenty or nothing : from Yves Klein's Le Vide to Arman's Le Plein (1998) -- Knight's moves : situating the art/object (1986) -- Structure, sign, and reference in the work of David Lamelas (1997) -- Parody and appropriation in Francis Picabia, Pop, and Sigmar Polke (1982) -- Readymade, photography, and painting in the painting of Gerhard Richter (1977) -- Process sculpture and film in Richard Serra's work (1978) -- Spero's other traditions (1996) -- Villeglé : from fragment to detail (1991) -- Andy Warhol's one-dimensional art, 1956-1966 (1989) -- Robert Watts : animate objects, inanimate subjects (2000) -- The posters of Lawrence Weiner (1986).

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