Once were warriors, the aftermath : the controversy of OWW in Aotearoa New Zealand / Emiel Martens.
Material type: TextPublisher: Amsterdam, Netherlands : Aksant, 2007Description: 184 pages : illustrations ; 24 cmContent type:- text
- unmediated
- volume
- 9052602360
- 9789052602363
- 302.234308999442 22
Item type | Current library | Call number | Copy number | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|
Book | City Campus City Campus Main Collection | 302.234308999442 MAR (Browse shelf(Opens below)) | 1 | Available | A440093B | ||
Book | City Campus City Campus Main Collection | 302.234308999442 MAR (Browse shelf(Opens below)) | 1 | Available | A440097B |
Browsing City Campus shelves, Shelving location: City Campus Main Collection Close shelf browser (Hides shelf browser)
302.23430862 STE Film and the working class : the feature film in British and American society / | 302.234308621 ORG Hollywood ambitions : celebrity in the movie age / | 302.234308998084 SCH Indianizing film : decolonization, the Andes, and the question of technology / | 302.234308999442 MAR Once were warriors, the aftermath : the controversy of OWW in Aotearoa New Zealand / | 302.234308999442 MAR Once were warriors, the aftermath : the controversy of OWW in Aotearoa New Zealand / | 302.23430954 DUD Bollywood : sociology goes to the movies / | 302.23430954 FIN Fingerprinting popular culture : the mythic and the iconic in Indian cinema / |
Includes bibliographical references (pages 163-184).
1. Introduction. 1.1 Setting the scene. 1.2. Theoretical framework and method -- Pt. 1. Once Were Warriors : The film and novel. 2. The Alan Duff novel. 2.1. The author. 2.2. The Heke story. 3. The Lee Tamahori film. 3.1. The director. 3.2. The production story. 4. Closing the gaps : From book to motion picture. 4.1 Riwia Brown's adaptation. 4.2. Once Were Warriors as a battleground -- Pt. 2. Once Were Warriors as Māori representation. 5. Social and cultural representation and the sense of the real. 5.1. Reality and representation. 5.2. Cinema and representation. 6. Hollywood as the master narrative : Thinking and unthinking Eurocentrism. 6.1. Ideology, race and representation. 6.2. Indigenous media and representation. 7. Māori representation : Our own image?. 7.1. Historical representations of the Māori people. 7.2. Māori representation in contemporary literature and cinema -- Pt. 3. The realities of Once Were Warriors. 8. Discourses and worldviews : The construction of Māori identities. 8.1. The discursive world of Once Were Warriors. 8.2. The discourse of Māori cultural politics : Contesting worldviews. 9. Popular reception : Effects on New Zealand society. 9.1. Once Were Warriors as a cultural phenomenon. 9.2. Once Were Warriors as a New Zealand contemporary history. 10. Afterwords and afterimages. 10.1. In retrospect : Jake's Long Shadow in contemporary New Zealand society. 10.2. From Māori warriors to South Pacific weddings : Towards a global transcultural future?.
"Once Were Warriors was not just a novel or film, but a powerful cultural representation which had a significant impact on New Zealand society." "In this illustrated book, Emiel Martens examines the impact of Once Were Warriors in Aotearoa, New Zealand by exploring the two cultural representations (with a specific impact on the film) and their aftermath in postcolonial New Zealand society: Why did Once With Warriors cause such a controversy within the Maori community? Which were the underlying metaphors of the public debate on both the novel and the film in New Zealand society? And what did the heated reception of Once Were Warriors say about the position and identity of the indigenous Maori people within modern New Zealand?"--BOOK JACKET.
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