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Women's work : making dance in Europe before 1800 / edited by Lynn Matluck Brooks.

Contributor(s): Material type: TextTextSeries: Studies in dance history (Unnumbered)Publisher: Madison, Wis. : University of Wisconsin Press, [2007]Copyright date: ©2007Description: ix, 270 pages : illustrations ; 23 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 0299225305
  • 9780299225308
  • 0299225348
  • 9780299225346
Subject(s): DDC classification:
  • 792.8094 22
LOC classification:
  • GV1799.4 .W65 2007
Online resources:
Contents:
The doubly invisible: Dance in history, women in dance history / Lynn Matluck Brooks -- Isabella and the dancing Este brides, 1473-1514 / Barbara Sparti -- Fabritio Caroso's patronesses / Angene Feves -- At the Queen's command : Henrietta Maria and the development of the English masque / Anne Daye -- The female ballet troupe of the Paris Opera from 1700 to 1725 / Nathalie Lecomte -- Françoise Prévost : the unauthorized biography / Régine Astier -- The shaping of Galatea : who controlled the career of Marie Sallé? / Sarah McCleave -- In pursuit of the dancer-actress / Moira Goff -- Elisabeth of Spalbeek : dancing the passion / Karen Silen -- Galanterie and gloire : women's will and the eighteenth-century worldview in Les Indes galantes / Joellen A. Meglin.
Summary: "Like the history of women, dance has been difficult to capture as a historical subject. Yet in bringing together these two areas of study, the nine internationally renowned scholars in this volume shed new and surprising light on women's roles as performers of dance, choreographers, shapers of aesthetic trends, and patrons of dance in Italy, France, England, and Germany before 1800. Through dance, women asserted power in spheres largely dominated by men: the court, the theater, and the church. As women's dance worlds intersected with men's, their lives and visions were supported or opposed, creating a complex politics of creative, spiritual, and political expression. From a women's religious order in the thirteenth-century Low Countries that used dance as a spiritual rite of passage to the salon culture of eighteenth-century France where dance became an integral part of women's cultural influence, the writers in this volume explore the meaning of these women's stories, performances, and dancing bodies, demonstrating that dance is truly a field across which women have moved with finesse and power for many centuries past."--Publisher description.
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Holdings
Item type Current library Call number Copy number Status Date due Barcode
Book City Campus City Campus Main Collection 792.8094 WOM (Browse shelf(Opens below)) 1 Available A375602B

Includes bibliographical references and index.

The doubly invisible: Dance in history, women in dance history / Lynn Matluck Brooks -- Isabella and the dancing Este brides, 1473-1514 / Barbara Sparti -- Fabritio Caroso's patronesses / Angene Feves -- At the Queen's command : Henrietta Maria and the development of the English masque / Anne Daye -- The female ballet troupe of the Paris Opera from 1700 to 1725 / Nathalie Lecomte -- Françoise Prévost : the unauthorized biography / Régine Astier -- The shaping of Galatea : who controlled the career of Marie Sallé? / Sarah McCleave -- In pursuit of the dancer-actress / Moira Goff -- Elisabeth of Spalbeek : dancing the passion / Karen Silen -- Galanterie and gloire : women's will and the eighteenth-century worldview in Les Indes galantes / Joellen A. Meglin.

"Like the history of women, dance has been difficult to capture as a historical subject. Yet in bringing together these two areas of study, the nine internationally renowned scholars in this volume shed new and surprising light on women's roles as performers of dance, choreographers, shapers of aesthetic trends, and patrons of dance in Italy, France, England, and Germany before 1800. Through dance, women asserted power in spheres largely dominated by men: the court, the theater, and the church. As women's dance worlds intersected with men's, their lives and visions were supported or opposed, creating a complex politics of creative, spiritual, and political expression. From a women's religious order in the thirteenth-century Low Countries that used dance as a spiritual rite of passage to the salon culture of eighteenth-century France where dance became an integral part of women's cultural influence, the writers in this volume explore the meaning of these women's stories, performances, and dancing bodies, demonstrating that dance is truly a field across which women have moved with finesse and power for many centuries past."--Publisher description.

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