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The transformative power of performance : a new aesthetics / by Erika Fischer-Lichte ; translated by Saskya Iris Jain.

By: Material type: TextTextLanguage: English Original language: German Publisher: New York : Routledge, 2008Description: [viii], 232 pISBN:
  • 9780415458559 (hb : alk. paper)
  • 0415458552 (hb : alk. paper)
  • 9780415458566 (pb : alk. paper)
  • 0415458560 (pb : alk. paper)
Uniform titles:
  • Ästhetik des Performativen. English
Subject(s): DDC classification:
  • 791.01 22
LOC classification:
  • PN1584 .F5713 2008
Contents:
1. The Transformative Power of Performance -- 2. Explaining Concepts: Performativity and Performance -- 3. Shared Bodies, Shared Spaces: The Bodily Co-Presence of Actors and Spectators -- 4. The Performative Generation of Materiality -- 5. The Emergence of Meaning -- 6. The Performance as Event -- 7. The Re-Enchantment of the World.
Summary: "In this book, Erika Fischer-Lichte traces the emergence of performance as 'an art event' in its own right. In setting performance art on an equal footing with the traditional art object, she heralds a new aesthetics. The peculiar mode of experience that a performance provokes - blurring distinctions between artist and audience, body and mind, art and life - is here framed as the breeding ground for a new way of understanding performing arts, and through them even wider social and cultural processes. With an introduction by Marvin Carlson, this translation of the original Asthetik des Performativen addresses key issues in performance art, experimental theatre and cultural performances to lay the ground for a new appreciation of the artistic event."--Publisher's website.
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Includes bibliographical references and index.

1. The Transformative Power of Performance -- 2. Explaining Concepts: Performativity and Performance -- 3. Shared Bodies, Shared Spaces: The Bodily Co-Presence of Actors and Spectators -- 4. The Performative Generation of Materiality -- 5. The Emergence of Meaning -- 6. The Performance as Event -- 7. The Re-Enchantment of the World.

"In this book, Erika Fischer-Lichte traces the emergence of performance as 'an art event' in its own right. In setting performance art on an equal footing with the traditional art object, she heralds a new aesthetics. The peculiar mode of experience that a performance provokes - blurring distinctions between artist and audience, body and mind, art and life - is here framed as the breeding ground for a new way of understanding performing arts, and through them even wider social and cultural processes. With an introduction by Marvin Carlson, this translation of the original Asthetik des Performativen addresses key issues in performance art, experimental theatre and cultural performances to lay the ground for a new appreciation of the artistic event."--Publisher's website.

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