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Staging the screen : the use of film and video in theatre / Greg Giesekam.

By: Material type: TextTextSeries: Theatre and performance practicesPublisher: New York : Palgrave Macmillan, [2007]Copyright date: ©2007Description: ix, 280 pages : illustrations ; 22 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 1403916985
  • 9781403916983
  • 1403916993
  • 9781403916990
Subject(s): DDC classification:
  • 792.02 22
LOC classification:
  • PN2091.M68 G54 2007
Online resources:
Contents:
Magic to realism : European pioneers -- Polyscenicness : Josef Svoboda and Laterna Magika -- Big screen to small screen -- Postmodern collage: the Wooster Group -- Third-hand photocopies : Forced Entertainment -- Live films on stage : The Builders Association -- Crossing the celluloid divide : Forkbeard Fantasy -- Quantum theatre : Station ouse Opera -- Electric campfires: Robert Lepage.
Summary: "The use of film and video is commonplace in contemporary theatre, viewed by some as contaminating theatre's 'liveness', by others as inevitable and desirable. After tracing the history of current approaches back to early practitioners such as Méliès, Painlevé; and Piscator, Staging the Screen explores in detail recent productions by Svoboda, the Wooster Group, Forkbeard Fantasy, Forced Entertainment, Station House Opera, and Lepage. It charts the impact of developing technologies and addresses critical issues raised by multi-media and intermedia work."--Publisher description.
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Includes bibliographical references (pages 268-276) and index.

Magic to realism : European pioneers -- Polyscenicness : Josef Svoboda and Laterna Magika -- Big screen to small screen -- Postmodern collage: the Wooster Group -- Third-hand photocopies : Forced Entertainment -- Live films on stage : The Builders Association -- Crossing the celluloid divide : Forkbeard Fantasy -- Quantum theatre : Station ouse Opera -- Electric campfires: Robert Lepage.

"The use of film and video is commonplace in contemporary theatre, viewed by some as contaminating theatre's 'liveness', by others as inevitable and desirable. After tracing the history of current approaches back to early practitioners such as Méliès, Painlevé; and Piscator, Staging the Screen explores in detail recent productions by Svoboda, the Wooster Group, Forkbeard Fantasy, Forced Entertainment, Station House Opera, and Lepage. It charts the impact of developing technologies and addresses critical issues raised by multi-media and intermedia work."--Publisher description.

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