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The silent rhetoric of the body : a history of monumental sculpture and commemorative art in England, 1720-1770 / Matthew Craske.

By: Material type: TextTextPublisher: New Haven : Published for the Paul Mellon Centre for Studies in British Art by Yale University Press, [2007]Copyright date: ©2007Description: xiii, 528 pages : illustrations ; 27 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 0300135416
  • 9780300135411
Subject(s): DDC classification:
  • 731.76094309033 22
LOC classification:
  • NB1803.G7 C73 2007
Online resources:
Contents:
Introduction -- A new theatre of death and commemoration -- The decline of heraldry and the rise of the trophy and the 'image' -- Roubiliac and the presentation of the military image -- Reform : the rise of a polite, commercial and cosmopolitan culture -- The 'silent rhetoric' of Rysbrack's noble masculine bodies -- Counter-reformation : 'Sculpture waves her hand' to produce a new rhetoric -- Post-reform : the fruition of nationalist stratagems -- Pillars of Absalom -- Gratitude and legitimation -- Monumental nostalgia : the politics of dynastic discontinuities and domestic tragedies -- Gratitude and grief : feminine donor figures -- Communities of matronal and maiden virtue -- Male bereavement -- 'A humbler stone' : monuments to entrepreneurs and merchants -- The professional pillars of state : monuments to the great office holders of the church and judiciary.
Summary: "This illuminating and original book is the first to examine eighteenth-century British funeral monuments in their social, as well as their artistic, context, looking not only at the sculptors who created the monuments, but also the people who commissioned them and the people they commemorated. Matthew Craske begins by analyzing the relationship of tomb designs to the changing and diverse culture of death in eighteenth-century England, and then explains conditions of production and the shifting dynamics of the market. He concludes with a masterly analysis of the motivations of the people who commissioned monuments, from aristocrats to merchants and professional people."--Publisher description.
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Holdings
Item type Current library Call number Copy number Status Date due Barcode
Book City Campus City Campus Main Collection 731.76094309033 CRA (Browse shelf(Opens below)) 1 Available A375011B

Includes bibliographical references (pages 496-514) and index.

Introduction -- A new theatre of death and commemoration -- The decline of heraldry and the rise of the trophy and the 'image' -- Roubiliac and the presentation of the military image -- Reform : the rise of a polite, commercial and cosmopolitan culture -- The 'silent rhetoric' of Rysbrack's noble masculine bodies -- Counter-reformation : 'Sculpture waves her hand' to produce a new rhetoric -- Post-reform : the fruition of nationalist stratagems -- Pillars of Absalom -- Gratitude and legitimation -- Monumental nostalgia : the politics of dynastic discontinuities and domestic tragedies -- Gratitude and grief : feminine donor figures -- Communities of matronal and maiden virtue -- Male bereavement -- 'A humbler stone' : monuments to entrepreneurs and merchants -- The professional pillars of state : monuments to the great office holders of the church and judiciary.

"This illuminating and original book is the first to examine eighteenth-century British funeral monuments in their social, as well as their artistic, context, looking not only at the sculptors who created the monuments, but also the people who commissioned them and the people they commemorated. Matthew Craske begins by analyzing the relationship of tomb designs to the changing and diverse culture of death in eighteenth-century England, and then explains conditions of production and the shifting dynamics of the market. He concludes with a masterly analysis of the motivations of the people who commissioned monuments, from aristocrats to merchants and professional people."--Publisher description.

Machine converted from AACR2 source record.

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