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Six stories from the end of representation : images in painting, photography, astronomy, microscopy, particle physics, and quantum mechanics, 1980-2000 / James Elkins.

By: Material type: TextTextPublisher: Stanford, Calif. : Stanford University Press, 2008Description: xvii, 274 pages, 22 pages of plates : illustrations (some colour) ; 28 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 0804741476
  • 0804741484
  • 9780804741477
  • 9780804741484
Other title:
  • 6 stories from the end of representation
  • Images in painting, photography, astronomy, microscopy, particle physics, and quantum mechanics, 1980-2000
Subject(s): DDC classification:
  • 701 22
LOC classification:
  • B105.R4 E45 2008
Online resources:
Contents:
Painting -- Photography -- Astronomy -- Microscopy -- Particle physics -- Quantum mechanics.
Summary: James Elkins tells six independent stories about images made in the last quarter century. Some come from the world of art (painting and photography) and some from science (physics, astrophysics, and microscopy). What these images have in common is that they all fail as representations: they are blurry, dark, pixelated, or otherwise inadequete to what they represent. Yet this is precisely why they are of interest. Studies that bring together art and science are often predicated on the idea that science influences art or vice versa. Elkins challenges this view and remains true to the material of each discipline. --From cover.
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Includes bibliographical references (pages 235-269) and index.

Painting -- Photography -- Astronomy -- Microscopy -- Particle physics -- Quantum mechanics.

James Elkins tells six independent stories about images made in the last quarter century. Some come from the world of art (painting and photography) and some from science (physics, astrophysics, and microscopy). What these images have in common is that they all fail as representations: they are blurry, dark, pixelated, or otherwise inadequete to what they represent. Yet this is precisely why they are of interest. Studies that bring together art and science are often predicated on the idea that science influences art or vice versa. Elkins challenges this view and remains true to the material of each discipline. --From cover.

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