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The last photographic heroes : American photographers of the sixties and seventies / Gilles Mora.

By: Material type: TextTextLanguage: English Original language: French Publisher: New York : Abrams, 2007Edition: English language editionDescription: 191 pages : illustrations (some colour) ; 32 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 0810993740
  • 9780810993747
Related works:
  • Translation of: Mora, Gilles, 1945- Photographie Amé́ricanie de 1958 à 1981
Subject(s): DDC classification:
  • 770.922 22
LOC classification:
  • TR139 .M57 2007
Online resources: Summary: "The photography that Americans invented in the 1960s and ?70s was as fresh and vital as their music. Photographers of those years believed in their medium?s unlimited capacities of expression. Between the publication of Robert Frank?s The Americans (1958) and the coming of post-modernism, the photographers featured in this book embarked on their own personal quests. Whether they roamed the world, like Lee Friedlander and Garry Winogrand, or sought out its dark corners, like Larry Clark and Nan Goldin, they shared a fierce devotion to their medium and its unique qualities. The generation that created this work knew it was remarkable. Today, with Gilles Mora as a guide, we can look back on it with even greater appreciation, since we know that these were indeed the last photographic heroes. Also includes work by Joel Meyerowitz, William Eggleston, and many others."--Publisher description.
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Holdings
Item type Current library Call number Copy number Status Date due Barcode
Book City Campus City Campus Main Collection 770.922 MOR (Browse shelf(Opens below)) 1 Available A425535B

"Translated from the French by Nicholas Elliott ... published simultaneously in French under the title La photographie Amé́ricanie de 1958 à 1981: the last photographic heroes by Editions du Seuil, Paris, 2007"--Colophon.

Includes bibliographical references (pages 188-190).

"The photography that Americans invented in the 1960s and ?70s was as fresh and vital as their music. Photographers of those years believed in their medium?s unlimited capacities of expression. Between the publication of Robert Frank?s The Americans (1958) and the coming of post-modernism, the photographers featured in this book embarked on their own personal quests. Whether they roamed the world, like Lee Friedlander and Garry Winogrand, or sought out its dark corners, like Larry Clark and Nan Goldin, they shared a fierce devotion to their medium and its unique qualities. The generation that created this work knew it was remarkable. Today, with Gilles Mora as a guide, we can look back on it with even greater appreciation, since we know that these were indeed the last photographic heroes. Also includes work by Joel Meyerowitz, William Eggleston, and many others."--Publisher description.

Machine converted from AACR2 source record.

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