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How to make dances in an epidemic : tracking choreography in the age of AIDS / David Gere.

By: Material type: TextTextPublisher: Madison, Wis. : University of Wisconsin Press, [2004]Copyright date: ©2004Description: xiv, 341 pages : illustrations ; 24 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 0299200809
  • 9780299200800
  • 0299200841
  • 9780299200848
Subject(s): DDC classification:
  • 792.808664 22
LOC classification:
  • GV1588.6 .G47 2004
Online resources:
Contents:
1. Blood and sweat -- 2. Melancholia and fetishes -- 3. Monuments and insurgencies -- 4. Corpses and ghosts -- 5. Transcendence and eroticism.
Summary: "David Gere, who came of age as a dance critic at the height of the AIDS epidemic, offers the first book to examine in depth the interplay of AIDS and choreography in the United States, specifically in relation to gay men. The time he writes about is one of extremes. A life-threatening medical syndrome is spreading, its transmission linked to sex. Blame is settling on gay men. What is possible in such a highly charged moment, when art and politics coincide? Gere expands the definition of choreography to analyze not only theatrical dances but also the protests conceived by ACT-UP and the NAMES Project AIDS quilt. These exist on a continuum in which dance, protest, and wrenching emotional expression have become essentially indistinguishable. Gere offers a portrait of gay male choreographers struggling to cope with AIDS and its meanings."--Publisher description.
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Holdings
Item type Current library Call number Copy number Status Date due Barcode
Book City Campus City Campus Main Collection 792.808664 GER (Browse shelf(Opens below)) 1 Available A431214B

Includes bibliographical references (pages 312-332) and index.

1. Blood and sweat -- 2. Melancholia and fetishes -- 3. Monuments and insurgencies -- 4. Corpses and ghosts -- 5. Transcendence and eroticism.

"David Gere, who came of age as a dance critic at the height of the AIDS epidemic, offers the first book to examine in depth the interplay of AIDS and choreography in the United States, specifically in relation to gay men. The time he writes about is one of extremes. A life-threatening medical syndrome is spreading, its transmission linked to sex. Blame is settling on gay men. What is possible in such a highly charged moment, when art and politics coincide? Gere expands the definition of choreography to analyze not only theatrical dances but also the protests conceived by ACT-UP and the NAMES Project AIDS quilt. These exist on a continuum in which dance, protest, and wrenching emotional expression have become essentially indistinguishable. Gere offers a portrait of gay male choreographers struggling to cope with AIDS and its meanings."--Publisher description.

Machine converted from AACR2 source record.

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