Signs of the artist : signatures and self-expression in American paintings / John Wilmerding.
Material type: TextPublisher: New Haven : b Yale University Press, [2003]Copyright date: ©2003Description: xi, 203 pages : illustrations (some colour) ; 27 cmContent type:- text
- unmediated
- volume
- 0300097794
- 9780300097795
- 759.130278 21
- ND205 .W523 2003
Item type | Current library | Call number | Copy number | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|
Book | City Campus City Campus Main Collection | 759.130278 WIL (Browse shelf(Opens below)) | 1 | Available | A377768B |
Browsing City Campus shelves, Shelving location: City Campus Main Collection Close shelf browser (Hides shelf browser)
759.13 WOO Christopher Wool / | 759.13 WYE Wyeth at Kuerners. | 759.13 YUS Lisa Yuskavage : small paintings, 1993-2004 / | 759.130278 WIL Signs of the artist : signatures and self-expression in American paintings / | 759.13074 MAR Plane image : a Brice Marden retrospective / | 759.130904 HOP Staying up much too late : Edward Hopper's Nighthawks and the dark side of the American psyche / | 759.1309043 AME American abstract art of the 1930's and 1940's : the J. Donald Nichols collection / |
Includes bibliographical references (pages 189-196) and index.
1. European Precedents -- 2. American History, Still Life, and Landscape -- 3. Genre and Later Still-Life Painting -- 4. Impressionism and Realism -- 5. Modernism.
"Signatures are unique and often reveal something of our individual personalities. In this book, John Wilmerding - an eminent historian of American art - explores the unconventional use of signatures in paintings. The author focuses on American artists who have not simply signed their works on a corner of the canvas but intentionally placed their signatures within the pictorial space of the painting. A painter's name or initials might, for instance, appear as an illusion on a wall or floor, on an object within an interior, or on a form in a landscape. Wilmerding considers the significance of such signatures in works by twenty-seven American artists, from the eighteenth through twentieth centuries, who projected themselves into their art in tantalizing ways."--BOOK JACKET.
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