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Comic abstraction : image breaking, image making / Roxana Marcoci.

By: Contributor(s): Material type: TextTextPublisher: New York, N.Y. : Museum of Modern Art, [2007]Distributor: London : Thames & Hudson Copyright date: ©2007Description: 160 pages : colour illustrations ; 32 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 0870707094
  • 9780870707094
Subject(s): DDC classification:
  • 709.04 22
LOC classification:
  • N6494.A2 M37 2007
Contents:
Interviews and plates -- Polly Apfelbaum -- Inka Essenhigh -- Ellen Gallagher -- Arturo Herrera -- Michel Majerus -- Julie Mehretu -- Juan Muñoz -- Takashi Murakami -- Rivane Neuenschwander -- Philippe Parreno -- Gary Simmons -- Franz West -- Sue Williams.
Summary: This volume features works by thirteen artists who employ erasure and blurring, appropriation and ambiguity to put a new spin on the relationship between the vernacular language of pop culture and rarefied brands of "fine art." Roxana Marcoci's essay looks at each artist in depth and considers how comic characters, style, and narrative structures-so deeply imprinted in our collective consciousness-retain their visual potency even when totally abstracted. Also included are interviews with the artists and selected exhibition histories and bibliographies.
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Holdings
Item type Current library Call number Copy number Status Date due Barcode
Book City Campus City Campus Main Collection 709.04 MAR (Browse shelf(Opens below)) 1 Issued 22/09/2024 A276411B

Published on the occasion of an exhibition of the same name at the Museum of Modern Art, New York, on March 4- June 11, 2007.

Includes bibliographical references and index.

Interviews and plates -- Polly Apfelbaum -- Inka Essenhigh -- Ellen Gallagher -- Arturo Herrera -- Michel Majerus -- Julie Mehretu -- Juan Muñoz -- Takashi Murakami -- Rivane Neuenschwander -- Philippe Parreno -- Gary Simmons -- Franz West -- Sue Williams.

This volume features works by thirteen artists who employ erasure and blurring, appropriation and ambiguity to put a new spin on the relationship between the vernacular language of pop culture and rarefied brands of "fine art." Roxana Marcoci's essay looks at each artist in depth and considers how comic characters, style, and narrative structures-so deeply imprinted in our collective consciousness-retain their visual potency even when totally abstracted. Also included are interviews with the artists and selected exhibition histories and bibliographies.

Machine converted from AACR2 source record.

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