Beautiful suffering : photography and the traffic in pain / Mark Reinhardt, Holly Edwards, Erina Dugganne, eds. ; essays by Mark Reinhardt [and others].
Material type: TextPublisher: Williamstown, MA : Chicago : Williams College Museum of Art ; In association with the University of Chicago Press, 2007Description: 115, xiv pages, 59 pages of plates : illustrations (some colour) ; 27 cmContent type:- text
- unmediated
- volume
- 0226709507
- 9780226709505
- 779.092 22
- TR820.5 .B43 2007
Item type | Current library | Call number | Copy number | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|
Book | City Campus City Campus Main Collection | 779.092 REI (Browse shelf(Opens below)) | 1 | Available | A429005B |
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779.092 PLA Goings on about town : photographs for the New Yorker / | 779.092 POL Photoworks: when pictures vanish / | 779.092 PRO Barbara Probst / | 779.092 REI Beautiful suffering : photography and the traffic in pain / | 779.092 REN Albert Renger-Patzsch : photographer of objectivity / | 779.092 REW Pōkai whenua, pōkai moana / | 779.092 RIZ A man walks out of a bar-- : Lucien Rizos, New Zealand photographs, 1979-1982 / |
"This book is issued in conjunction with the exhibition Beautiful suffering : photography and the traffic in pain, held at the Williams College Museum of Art, January 28-April 30, 2006"--T.p. verso.
Includes bibliographical references.
Traffic in pain / Mark Reinhardt and Holly Edwards -- Picturing violence : aesthetics and the anxiety of critique / Mark Reinhardt -- A genealogy of orthodox documentary / John Stomberg -- Photography after the fact / Erina Duganne -- Cover to cover : the life cycle of an image in contemporary visual culture / Holly Edwards -- The pain of images / Mieke Bal -- Plates.
"Drawing on works from photojournalism, advertising, and contemporary art, Beautiful Suffering features reproductions of all the pieces in the Williams College Museum of Art exhibition of the same name. These images include portrayals of Abu Ghraib prisoners, refugees, and casualties of war, as well as damaged landscapes, assorted forms of self-portraiture, and even suffering that has been digitally fabricated or staged in the artist's studio. This diverse collection is framed by five critical essays that engage the works themselves as well as the larger questions the exhibition confronted."--BOOK JACKET.
Machine converted from AACR2 source record.
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