Visual shock : a history of art controversies in American culture / Michael Kammen.
Material type: TextPublisher: New York : Knopf, 2006Edition: First editionDescription: xxvi, 450 pages : illustrations ; 25 cmContent type:- text
- unmediated
- volume
- 1400041295
- 9781400041299
- 1400034647
- 9781400034642
- 306.470973 22
- N72.S6 K225 2006
- Also issued online.
Item type | Current library | Call number | Copy number | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|
Book | City Campus City Campus Main Collection | 306.470973 KAM (Browse shelf(Opens below)) | 1 | Available | A407410B |
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306.47 WOO Made in Mexico : Zapotec weavers and the global ethnic art market / | 306.470951 THO Chinese art & culture / | 306.470973 CAS Beautiful democracy : aesthetics and anarchy in a global era / | 306.470973 KAM Visual shock : a history of art controversies in American culture / | 306.47098 IMA Images of power : iconography, culture and state in Latin America / | 306.470993 NOW Now see hear! : art, language, and translation / | 306.470993 NOW Now see hear! : art, language, and translation / |
Includes bibliographical references (pages 385-424) and index.
1. Monuments, memorials, and Americanism -- 2. Nudity, decency, and morality -- 3. Coming to terms with modernism -- 4. Troubles with murals -- 5. Art politicized : ideological issues -- 6. The pivotal 1960s -- 7. The dimensions and dilemmas of public sculpture -- 8. The art museum transformed -- 9. Issues of diversity and inclusion -- 10. Comparisons and closure.
Looks at the nature, diversity, causes, and persistence of controversies generated by art and artists since the 1830s, exploring the role of arts patrons, local and national governments, and the media in creating and maintaining controversies and assessing the effects, both positive and negative, of such disputes.
"Michael Kammen examines the nature, diversity, and persistence of major disputes generated by art and artists and shows what has changed since the 1830s and why. He looks at the role of artists and patrons, local and national governments, conservatives and liberals, and the media in creating and sustaining heated controversies. We see the notable acceleration of such episodes since the 1960s; the effect of the democratization of American museums; the quest for provocative shows to attract crowds; the increased visibility resulting from the public art movement that has stirred anger and created some of our stormiest battles; the desire of many artists and galleries to shock, provoke, and contest, engendering the perplexity, if not outright hostility, of audiences; the use of art as social criticism; the effort to include and appeal to minorities; the threat of litigation and the role of courts; and the commercialization stemming from dependence on corporate sponsorship."--BOOK JACKET.
Also issued online.
Machine converted from AACR2 source record.
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