Charles Darwin and Victorian visual culture / Jonathan Smith.
Material type: TextSeries: Cambridge studies in nineteenth-century literature and culture ; 50.Publisher: Cambridge : Cambridge University Press, 2006Description: xxiii, 349 pages : illustrations ; 26 cmContent type:- text
- unmediated
- volume
- 0521856906
- 9780521856904
- Darwin, Charles, 1809-1882 -- Influence
- Illustration of books, Victorian -- Great Britain
- Natural history illustration -- History -- 19th century
- Scientific illustration -- History -- 19th century
- Modernism (Aesthetics) -- Great Britain -- History -- 19th century
- Aesthetics -- History
- Science -- History
- Art -- History
- Books, Illustrated -- history
- History, 19th Century
- 741.64094109034 22
- QH46.5 .S65 2006
Item type | Current library | Call number | Copy number | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|
Book | City Campus City Campus Main Collection | 741.64094109034 SMI (Browse shelf(Opens below)) | 1 | Available | A371608B |
Browsing City Campus shelves, Shelving location: City Campus Main Collection Close shelf browser (Hides shelf browser)
741.64092 MAT Jazz / | 741.64092 TSC Jan Tschichold, designer : the Penguin years / | 741.640922 MAR The telling line : essays on fifteen contemporary book illustrators / | 741.64094109034 SMI Charles Darwin and Victorian visual culture / | 741.640947 COM Russian avant-garde books 1917-34 / | 741.64095 AJI Ya Zhou de shu ji, wen zi yu she ji : Shanpu Kangping yu Yazhou tong ren de dui hua = Books, text, and design in Asia / | 741.640951 ZHO Zhongguo zui mei de shu, 2003-2005 / |
Includes bibliographical references and index.
1. Seeing things : Charles Darwin and Victorian visual culture -- 2. Darwin's barnacles -- 3. Darwin's birds -- 4. Darwin's plants -- 5. Darwin's faces I -- 6. Darwin's faces II -- 7. Darwin's worms.
"Although The Origin of Species contained just a single visual illustration, Charles Darwin's other books, from his monograph on barnacles in the early 1850s to his volume on earthworms in 1881, were copiously illustrated by well-known artists and engravers. Jonathan Smith explains how Darwin managed to illustrate the unillustratable - his theories of natural selection - by manipulating and modifying the visual conventions of natural history, using images to support the claims made in his texts. Moreover, Smith looks outward to analyze the relationships between Darwin's illustrations and Victorian visual culture, especially the late-Victorian debates about aesthetics, and shows how Darwin's evolutionary explanation of beauty, based on his observations of color and the visual in nature, were a direct challenge to the aesthetics of John Ruskin. The many illustrations reproduced here enhance this fascinating study of a little-known aspect of Darwin's lasting influence on literature, art, and culture."--BOOK JACKET.
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