Visual research methods / edited by Peter Hamilton.
Material type: TextSeries: Sage benchmarks in social research methodsPublisher: London : SAGE, 2006Description: 4 volumes : illustrations ; 24 cmContent type:- text
- unmediated
- volume
- 1412901510
- 9781412901512
- 300.72 22
Item type | Current library | Call number | Vol info | Copy number | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|---|
Book | City Campus City Campus Main Collection | 300.72 VIS (Browse shelf(Opens below)) | Vol. 1 | 1 | Available | A418877B | ||
Book | City Campus City Campus Main Collection | 300.72 VIS (Browse shelf(Opens below)) | Vol. 2 | 1 | Available | A418878B | ||
Book | City Campus City Campus Main Collection | 300.72 VIS (Browse shelf(Opens below)) | Vol. 3 | 1 | Available | A418879B | ||
Book | City Campus City Campus Main Collection | 300.72 VIS (Browse shelf(Opens below)) | Vol. 4 | 1 | Available | A418880B |
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300.72 VIS Visual research methods / | 300.72 VIS Visual research methods / | 300.72 VIS Visual research methods / | 300.72 VIS Visual research methods / | 300.72 VIS Visual research methods : image, society, and representation / | 300.72 WAL Social research methods / | 300.72 WAL Research methods : the basics / |
Includes bibliographical references.
Introduction(Peter Hamilton ) -- Panopticon -- Or the Inspection-House(Jeremy Bentham) -- Containing the Idea of a New Principle Of Construction Personal Identification and Description(Francis Galton ) -- The Work of Art in the Age of Mechanical Reproduction(Walter Benjamin ) -- First Principles of Documentary(John Grierson ) -- Icon, Index and Symbol(C S Peirce ) -- Studies in Iconology(Erwin Panofsky ) -- Art as Evidence(Jules Prown ) -- The Objectivity of Artistic Values(Raymond Boudon ) -- Visual Sociology, Documentary Photography and Photojournalism(Howard S Becker) -- It's (Almost) All a Matter of Context The Identification of the Criminal Classes by the Anthropometrical Method(A Bertillon ) -- On the Authority of the Image(Doug Harper) -- Visual Sociology at the Crossroads Tracing the Criminal(Neil Davie ) -- Encoding and Decoding(Stuart Hall ) -- The Family of Man(Roland Barthes ) -- The centrality of the Eye in Western Culture(Chris Jenks ) -- Regarding the Pain of Others(Susan Sontag ) -- The Burden of Representation(John Tagg) -- Pour en Finir avec la Profondeur de Champ(Andre Bazin ) -- Reading an Archive(Allan Sekula ) -- Visual Pleasure and Narrative Cinema(Laura Mulvey ) -- Stored Virtue(Tony Bennett) -- Memory, the Body and the Evolutionary Museum The Medium Is the Massage(Marshall McLuhan) -- An Inventory of Effects The Decisive Moment - Henri Cartier-Bresson -- On the Museum's Ruins(Douglas Crimp ) -- Three-Dimensional Visual Data(Emmison and Smith ) -- Visualizing Ethnography(Sarah Pink) -- Transforming the Anthropological Vision Visual Anthropology is Not Ethnographic Film(Marcus Banks) -- The Visual as Material Culture Photography and Anthropology(Elizabeth Edwards ) -- Balinese Character(Bateson and Mead) -- A Photographic Analysis Photography and Sociology(Howard Becker ) -- Visual Anthropology(John Collier ) -- The Self In the Other(Jay Ruby) -- Ethnographic Film, Surrealism, Politics Working Knowledge(Douglas Harper ) -- A Seventh Man(John Berger and Jean Mohr Visual ) -- Anthropology(Jay Ruby ) -- Technologies of Realism? Ethnographic Uses of Photography and Film(G W H Smith and M S Ball) -- A Poetry of the Streets?: Documenting Frenchness in an Era of Reconstruction: Humanist Photography 1935-1960(Peter Hamilton ) -- Photography and the Performance of Histories(Elizabeth Edwards ) -- Photographs in Social Research(Elizabeth Chaplin) -- The Residents of Gordondale Road What Constitutes an Image-based Methodology?(Jon Prosser ) -- Visual Sociology and its Relationship to Meaning, Representation and Information(Jon Wagner Deceptive ) -- Images(Pierre Sorlin) -- Social Science and the Puzzle of the Moving Picture The Uses of Documentary(Stuart Franklin) -- Photography, Evidence and Research Photography(Nigel Warburton) -- Evidence and Imagination The Evidentiary Problematic of Home Media(Richard Chalfen ) -- Text, Practice, Numinosity(Gillian Rose) -- Methodologies for and against Visual Images Photographs within the Sociological Research Process(J Prosser with D Schwartz ) -- To Tell the Truth(Dona Schwartz) -- Codes of Objectivity in Photojournalism Gender Advertisements(Erving Goffman ) -- Snapshots Sub-Species(Georg Simmel ) -- Snap-Shots of Live Theatre(Robin Riley and Elizabeth Manias) -- The Use of Photography to Research Governance in Operating Room Nursing Picturing Labour(Eric Margolis) -- A Visual Ethnography of the Coal Mine Labour Process Grounding Visual Sociology Research in Shooting Scripts(Chuck Suchar ) -- Telling Stories about Photography(Darren Newbury) -- The Language and Imagery of Class in the Work of Humphrey Spender and Paul Reas Documentary and the Aesthetics of Reference(John Corner ) -- Cold Eye (Review of Pierre Bourdieu on Photography)(Julian Stallabras ) -- Review of 'Photography: A Middle Brow Art'(E Neiva ) -- Documentary Expression and Thirties America(William Stott ) -- Representing Representations:The Ethics of Filming at Ground Zero(Veronica Miriam Davidov).
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