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Creativity and innovation in the music industry / by Peter Tschmuck.

By: Material type: TextTextPublisher: Dordrecht : Springer, [2006]Copyright date: ©2006Description: xix, 281 pages : illustrations ; 25 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 1402042744
  • 9781402042744
Uniform titles:
  • Kreativität und Innovation in der Musikindustrie . English
Subject(s): DDC classification:
  • 780.23 22
LOC classification:
  • ML3790 .T77 2003
Contents:
Ch. 1. The emergence of the phonographic industry within the music industry -- Ch. 2. The music industry boom until 1920 -- Ch. 3. New technology and the emergence of Jazz -- Ch. 4. The music industry as radio industry -- Ch. 5. The swing monopoly during the years of wartime economy -- Ch. 6. Rock 'n' roll revolution -- Ch. 7. The recovery of the phonographic industry and new global players -- Ch. 8. The era of music conglomerates -- Ch. 9. The digital revolution and the Internet -- Ch. 10. Theoretical concepts of innovation and creativity -- Ch. 11. Creativity and innovation in the music industry -- Ch. 12. Creativity and innovation in the music industry's value-added chain.
Review: "Why did jazz become a dominant popular music genre in the 1920s and rock 'n' roll in the 1950s? Why did heavy metal, punk rock and hiphop find their way from sub-cultures to the established music industry? What are the effects of new communication technologies and the Internet on the creation of music in the early 21st century? These and other questions are answered by Peter Tschmuck through an integrated model of creativity and innovation that is based on an international history of music industry since Thomas A. Edison invented the phonograph in 1877. Thus, the history of the music industry is described in full detail."--BOOK JACKET.
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Holdings
Item type Current library Call number Copy number Status Date due Barcode
Book City Campus City Campus Main Collection 780.23 TSC (Browse shelf(Opens below)) 1 Available A405158B

Includes bibliographical references.

Ch. 1. The emergence of the phonographic industry within the music industry -- Ch. 2. The music industry boom until 1920 -- Ch. 3. New technology and the emergence of Jazz -- Ch. 4. The music industry as radio industry -- Ch. 5. The swing monopoly during the years of wartime economy -- Ch. 6. Rock 'n' roll revolution -- Ch. 7. The recovery of the phonographic industry and new global players -- Ch. 8. The era of music conglomerates -- Ch. 9. The digital revolution and the Internet -- Ch. 10. Theoretical concepts of innovation and creativity -- Ch. 11. Creativity and innovation in the music industry -- Ch. 12. Creativity and innovation in the music industry's value-added chain.

"Why did jazz become a dominant popular music genre in the 1920s and rock 'n' roll in the 1950s? Why did heavy metal, punk rock and hiphop find their way from sub-cultures to the established music industry? What are the effects of new communication technologies and the Internet on the creation of music in the early 21st century? These and other questions are answered by Peter Tschmuck through an integrated model of creativity and innovation that is based on an international history of music industry since Thomas A. Edison invented the phonograph in 1877. Thus, the history of the music industry is described in full detail."--BOOK JACKET.

Machine converted from AACR2 source record.

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