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Dancing texts : intertextuality in interpretation / edited by Janet Adshead-Lansdale.

Contributor(s): Material type: TextTextPublisher: London : Dance Books, 1999Description: xvi, 255 pages : illustrations ; 24 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 1852730641
  • 9781852730642
Subject(s): DDC classification:
  • 792.801
Contents:
Foreword / Michael Worton -- 1. Creative Ambiguity: Dancing Intertexts / Janet Adshead-Lansdale -- 2. The Avant-Garde Politics of Petrouchka: Retrieving the Performance Text of 1911 / Sally Bowden -- 3. Dance, Music and Literature: the Construction of Meanings through an Interplay of Texts in Siobhan Davies's Bridge the Distance / Sophia Preston -- 4. Jewishness and Modern Dance in Sophie Maslow's The Village I Knew / Naomi M. Jackson -- 5. William Forsythe's Challenge to the Balletic Text: Dancing Latin / Jennifer Jackson -- 6. Mark Morris's Dido and Aeneas / Carol Martin -- 7. Too Many Cooks Mix the Metaphors: Marin and Spink, and the Sandman Link / Deveril Garraghan -- 8. Locating Space: Dance and Architecture in Rosemary Butcher's 3d / Libby Worth -- 9. A 'Streetwise, Urban Chic': Popular Culture and Intertextuality in the Work of Lea Anderson / Sherril Dodds -- 10. Zebra Talk: the Absurd World of Philippe Decoufle / Litza Bixler.
Review: "This book takes an innovative approach to dance analysis, looking at issues in the interpretation and reading of dances. Building on Janet Adshead-Lansdale's Dance Analysis: Theory and Practice (1988). Dancing Texts reshapes recent developments in post-structuralist and literary theory to illuminate close readings of dances." "Following a thorough introduction to the theoretical basis of intertextuality in relation to dance, the book offers a number of fully worked out examples of dance analysis, with subjects spanning the twentieth century and ranging from video-dance to ballet. The examples chosen include classical, modern and postmodern styles of theatre dance and also explore relations with music, film, architecture, language, popular culture and ethnicity. The interpretations that emerge illustrate the processes of intertextuality itself, opening up a new arena for dance analysis and criticism."--BOOK JACKET.
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Holdings
Item type Current library Call number Copy number Status Date due Barcode
Book City Campus City Campus Main Collection 792.801 DAN (Browse shelf(Opens below)) 1 Available A370352B
Book City Campus City Campus Main Collection 792.801 DAN (Browse shelf(Opens below)) 1 Available A370351B

Foreword / Michael Worton -- 1. Creative Ambiguity: Dancing Intertexts / Janet Adshead-Lansdale -- 2. The Avant-Garde Politics of Petrouchka: Retrieving the Performance Text of 1911 / Sally Bowden -- 3. Dance, Music and Literature: the Construction of Meanings through an Interplay of Texts in Siobhan Davies's Bridge the Distance / Sophia Preston -- 4. Jewishness and Modern Dance in Sophie Maslow's The Village I Knew / Naomi M. Jackson -- 5. William Forsythe's Challenge to the Balletic Text: Dancing Latin / Jennifer Jackson -- 6. Mark Morris's Dido and Aeneas / Carol Martin -- 7. Too Many Cooks Mix the Metaphors: Marin and Spink, and the Sandman Link / Deveril Garraghan -- 8. Locating Space: Dance and Architecture in Rosemary Butcher's 3d / Libby Worth -- 9. A 'Streetwise, Urban Chic': Popular Culture and Intertextuality in the Work of Lea Anderson / Sherril Dodds -- 10. Zebra Talk: the Absurd World of Philippe Decoufle / Litza Bixler.

"This book takes an innovative approach to dance analysis, looking at issues in the interpretation and reading of dances. Building on Janet Adshead-Lansdale's Dance Analysis: Theory and Practice (1988). Dancing Texts reshapes recent developments in post-structuralist and literary theory to illuminate close readings of dances." "Following a thorough introduction to the theoretical basis of intertextuality in relation to dance, the book offers a number of fully worked out examples of dance analysis, with subjects spanning the twentieth century and ranging from video-dance to ballet. The examples chosen include classical, modern and postmodern styles of theatre dance and also explore relations with music, film, architecture, language, popular culture and ethnicity. The interpretations that emerge illustrate the processes of intertextuality itself, opening up a new arena for dance analysis and criticism."--BOOK JACKET.

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