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Between ruin and renewal : Egon Schiele's landscapes / Kimberly A. Smith.

By: Contributor(s): Material type: TextTextPublisher: New Haven : Yale University Press, 2004Description: ix, 220 pages : illustrations (some colour) ; 29 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 0300097484
  • 9780300097481
Other title:
  • Egon Schiele's landscapes
Subject(s): DDC classification:
  • 759.36 22
LOC classification:
  • ND538.S37 S55 2004
Contents:
Why landscape? Vienna, Schiele, and tradition -- Work and world: unframing the autonomous landscape -- "Spirit of the gothic" and the townscape: medieval style as modernist critique -- Gothic revisited: nature and the nation -- The melancholic landscape: death and the crisis of the subject.
Review: "The Austrian artist Egon Schiele (1890--1918) is renowned for his intensely confrontational portraits, self-portraits, erotic images, and allegories. What is less well known today is that Schiele was also a talented and prolific landscape painter. In this illustrated book, Kimberly A. Smith provides the first full examination of Schiele's landscapes and townscapes, offering a new approach to and insights into the artist's work and motivations." "Diverging from the conventional interpretation that Schiele's paintings are revelations of the artist's psychology and emotional experience, Smith focuses instead on how his landscapes relate to the political, social, and historical conditions in early-twentieth-century Austria. Schiele's extraordinary depictions of the towns and countryside of Austria register and respond to the alienating effects of modernity, the problematic nature of selfhood, the eroding coherence of the imperial state, and other anxieties of his era. As Smith argues, the artist's landscape paintings express the same sense of ruin that preoccupied his contemporaries, but these pictures also contain a compelling note of redemption. In many ways Schiele's landscapes offer solutions to the very crisis his images present. The landscape paintings thus illuminate not only the structural dynamics of these pictures but also the character of Viennese modernism itself."--BOOK JACKET.
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Holdings
Item type Current library Call number Copy number Status Date due Barcode
Book City Campus City Campus Main Collection 759.36 SMI (Browse shelf(Opens below)) 1 Available A472125B

Includes bibliographical references (pages 173-214) and index.

Why landscape? Vienna, Schiele, and tradition -- Work and world: unframing the autonomous landscape -- "Spirit of the gothic" and the townscape: medieval style as modernist critique -- Gothic revisited: nature and the nation -- The melancholic landscape: death and the crisis of the subject.

"The Austrian artist Egon Schiele (1890--1918) is renowned for his intensely confrontational portraits, self-portraits, erotic images, and allegories. What is less well known today is that Schiele was also a talented and prolific landscape painter. In this illustrated book, Kimberly A. Smith provides the first full examination of Schiele's landscapes and townscapes, offering a new approach to and insights into the artist's work and motivations." "Diverging from the conventional interpretation that Schiele's paintings are revelations of the artist's psychology and emotional experience, Smith focuses instead on how his landscapes relate to the political, social, and historical conditions in early-twentieth-century Austria. Schiele's extraordinary depictions of the towns and countryside of Austria register and respond to the alienating effects of modernity, the problematic nature of selfhood, the eroding coherence of the imperial state, and other anxieties of his era. As Smith argues, the artist's landscape paintings express the same sense of ruin that preoccupied his contemporaries, but these pictures also contain a compelling note of redemption. In many ways Schiele's landscapes offer solutions to the very crisis his images present. The landscape paintings thus illuminate not only the structural dynamics of these pictures but also the character of Viennese modernism itself."--BOOK JACKET.

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