Against voluptuous bodies : late modernism and the meaning of painting / J. M. Bernstein.
Material type: TextPublisher: Stanford, Calif. : Stanford University Press, 2006Description: xiv, 400 pISBN:- 0804748942 (cloth : alk. paper)
- 0804748950 (pbk. : alk. paper)
- 759.06 22
- ND196.M64 B47 2006
Item type | Current library | Call number | Copy number | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|
Book | City Campus City Campus Main Collection | 759.06 BER (Browse shelf(Opens below)) | 1 | Available | A404146B |
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Includes bibliographical references and index.
Introduction: (Late) modernism -- Wax, brick, and bread--apotheoses of matter and meaning in seventeenth-century philosophy and art : Descartes and Pieter de Hooch -- Judging life : Kant, Clement Greenberg, and Chaim Soutine -- Modernism as philosophy : Stanley Cavell, Anthony Caro, and Chantal Akerman -- Aporia of the sensible--art, objecthood, and anthropomorphism : Michael Fried, Frank Stella, and minimalism -- The death of sensuous particulars : T.J. Clark and abstract expressionism -- Social signs, natural bodies : T.J. Clark and Jackson Pollock -- Readymades, monochromes, etc.--nominalism and the paradox of modernism : Thierry de Duve and Marcel Duchamp -- Freedom from nature? reflections on the end(s) of art : Arthur Danto, Yves-Alain Bois, and Robert Ryman -- The horror of nonidentity : Cindy Sherman's tragic modernism.
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