Wolfgang Tillmans / Jan Verwoert, Peter Halley, Midori Matsui.
Material type: TextSeries: Contemporary artistsPublisher: London ; New York, NY : Phaidon Press, 2002Description: 160 pages : illustrations (some colour) ; 29 cmContent type:- text
- unmediated
- volume
- 0714841927
- 9780714841922
- 770.92 21
- TR654 .V478 2002
- Also issued online.
Item type | Current library | Call number | Copy number | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|
Book | City Campus City Campus Main Collection | 770.92 TIL (Browse shelf(Opens below)) | 1 | Available | A340344B |
Browsing City Campus shelves, Shelving location: City Campus Main Collection Close shelf browser (Hides shelf browser)
770.92 STR Our Hollywood / | 770.92 TEC Techniques of the world's great photographers / | 770.92 TIE Melvin Vaniman (1866-1912) : a biographical note / | 770.92 TIL Wolfgang Tillmans / | 770.92 TOY Global gypsy : black & white / | 770.92 WEB Hot light/half-made worlds : photographs from the tropics / | 770.92 WES Edward Weston : photography and modernism / |
Includes bibliographical references (page 159).
"Turner-prize winning Wolfgang Tillmans is a superstar of 1990s photography. This is the only book to cover his entire career, from the best-selling debut portraits in 1995 at the age of 24, to his most recent, abstract works. Large colour photographs such as Lutz and Alex Sitting in the Trees (1992), of a couple - naked save for their incongruous raincoats - perched in a tree are emblems of his generation. Tillmans has more recently expanded his practice to include found photography as well as large installations reminiscent of the collage techniques of the 1960s Conceptual artists." "American artist and theorist Peter Halley discusses with the artist his rapidly changing role, from mid 199Os Wunderkind to established master of the 'new photography' today. German critic Jan Verwoert surveys the artist's many genres and styles, spanning abstract and figurative imagery. Japanese critic and curator Midori Matsui analyses in her Focus a single project, Concorde (1997), a room-size installation and artist's book which records the daily passing of this epoch-making aeroplane. Extracts from a nineteenth-century Quaker text by Caroline Stephen on divine inspiration comprise the Artist's Choice. In the Artist's Writings Wolfgang Tillmans' art is reflected in his diary entries, fragments of text from his installations and project notes."--BOOK JACKET.
Also issued online.
Machine converted from AACR2 source record.
There are no comments on this title.