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Writing in motion : body--language--technology / Kenneth King ; with a foreword by Deborah Jowitt.

By: Material type: TextTextPublisher: Middletown, Conn. : Wesleyan University Press, [2003]Copyright date: ©2003Description: xxi, 198 pages : illustrations ; 24 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 0819566136
  • 9780819566133
  • 0819566144
  • 9780819566140
Subject(s): DDC classification:
  • 792.809 22
LOC classification:
  • GV1600 .K56 2003
Contents:
Foreword / Deborah Jowitt -- Transmedia -- Digital Body/Millennial Wor(l)d -- Through Me Many Voices -- Word Raid (Impossible Tongue Twisters for E. E. Cummings) -- From Out of the Field of Vision (Or Finally: The Internet) -- The Telaxic Synapsulator (The Future of Machine) -- Stravinsky's Oedipus Rex: Julie Taymor - Seiji Ozawa - Jessye Norman -- Writing Over History and Time: Maurice Blanchot and Jackie O. -- Dreams and Collage -- Sight and Cipher -- A Pipe of Fancy (Vision's Plenitude): Joseph Cornell, An Appreciation -- Autobiopathy -- The Body Reflexive -- Metagexis (Joseph's Song) -- Appeal to the Unknown Prayer to the Great Void (Mappings for a Metatheology).
Review: "Kenneth King is one of America's most inventive postmodern choreographers. His dancing has always reflected his interest in language and technology, combining movement with film, machines, lighting and words both spoken and written. King is also conversant in philosophy, and some of his most influential dances have been dedicated to and in dialogue with the work of such philosophers as Susanne K. Langer, Edmund Husserl and Friedrich Nietzsche. Since the 1960s, he has performed his dance to texts both spoken and prerecorded - texts intended to stand separately as literary works." "Writing in Motion spans more than thirty years and is collected here for the first time. It includes essays, performance scripts of King's own work, art criticism, philosophy and cultural commentary. Dense with movement, these writings explode and reconfigure the familiar, crack syntax open, and invent startling new words. Dancing, to King, is "writing in space," and writing is a dance of ideas. Whether referencing Aristotle, Langer, Simone de Beauvoir, MTV, Maurice Blanchot or Marshall McLuhan, King's delightfully lavish prose is very much "in motion.""--BOOK JACKET.
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Holdings
Item type Current library Call number Copy number Status Date due Barcode
Book City Campus City Campus Main Collection 792.809 KIN (Browse shelf(Opens below)) 1 Available A292251B

Includes bibliographical references (pages 193-198).

Foreword / Deborah Jowitt -- Transmedia -- Digital Body/Millennial Wor(l)d -- Through Me Many Voices -- Word Raid (Impossible Tongue Twisters for E. E. Cummings) -- From Out of the Field of Vision (Or Finally: The Internet) -- The Telaxic Synapsulator (The Future of Machine) -- Stravinsky's Oedipus Rex: Julie Taymor - Seiji Ozawa - Jessye Norman -- Writing Over History and Time: Maurice Blanchot and Jackie O. -- Dreams and Collage -- Sight and Cipher -- A Pipe of Fancy (Vision's Plenitude): Joseph Cornell, An Appreciation -- Autobiopathy -- The Body Reflexive -- Metagexis (Joseph's Song) -- Appeal to the Unknown Prayer to the Great Void (Mappings for a Metatheology).

"Kenneth King is one of America's most inventive postmodern choreographers. His dancing has always reflected his interest in language and technology, combining movement with film, machines, lighting and words both spoken and written. King is also conversant in philosophy, and some of his most influential dances have been dedicated to and in dialogue with the work of such philosophers as Susanne K. Langer, Edmund Husserl and Friedrich Nietzsche. Since the 1960s, he has performed his dance to texts both spoken and prerecorded - texts intended to stand separately as literary works." "Writing in Motion spans more than thirty years and is collected here for the first time. It includes essays, performance scripts of King's own work, art criticism, philosophy and cultural commentary. Dense with movement, these writings explode and reconfigure the familiar, crack syntax open, and invent startling new words. Dancing, to King, is "writing in space," and writing is a dance of ideas. Whether referencing Aristotle, Langer, Simone de Beauvoir, MTV, Maurice Blanchot or Marshall McLuhan, King's delightfully lavish prose is very much "in motion.""--BOOK JACKET.

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