Shomei Tomatsu : skin of the nation / Leo Rubinfien, Sandra S. Phillips, John W. Dower ; preface by Daido Moriyama.
Material type: TextPublisher: San Francisco, Calif. : San Francisco Museum of Modern Art in association with Yale University Press, New Haven, [2004]Copyright date: ©2004Description: 223 pages : illustrations (some colour) ; 27 cmContent type:- text
- unmediated
- volume
- 0300106041
- 9780300106046
- 779.092 22
- TR647 .T646 2004
Item type | Current library | Call number | Copy number | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|
Book | City Campus City Campus Main Collection | 779.092 TOM (Browse shelf(Opens below)) | 1 | Available | A377767B |
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779.092 TAY Impressed by light : British photographs from paper negatives, 1840-1860 / | 779.092 TER Sacred places / | 779.092 TER Places of worship / | 779.092 TOM Shomei Tomatsu : skin of the nation / | 779.092 TOW Vile bodies : photography and the crisis of looking / | 779.092 TSI Family album / | 779.092 UDE Beyond decorum : the photography of Iké Udé / |
Catalog of the exhibition held Sept. 22, 2004-Jan. 2, 2005 at the Japan Society, New York, May 21-Aug. 29, 2005 at the Corcoran Gallery of Art, Washington, D.C., and Feb.-May, 2006 at the San Francisco Museum of Modern Art.
Includes bibliographical references (pages 214-216).
Director's foreword / Neal Benezra -- Preface / Daido Moriyama -- Shomei Tomatsu : the skin of the nation / Leo Rubinfien -- Currents in photography in postwar Japan / Sandra S. Phillips -- Contested ground : Shomei Tomatsu and the search for identity in postwar Japan / John W. Dower -- Plates.
"Born in 1930 in Nagoya, Japan, Shomei Tomatsu came of age during the devastation of World War II. As a teenager he defied air-raid sirens to watch B-29 bombers roaring overhead; in 1950, as a university student, he began to take his first photographs. Drawing deliberately on the legacy of Surrealism and the Western documentary tradition, the self-taught photographer quickly emerged as one of his generation's most sensitive observers of postwar Japan." "... this catalogue - the first comprehensive publication on Tomatsu to appear in English - includes essays addressing his fifty-year career, his artistic influences, and his historical context. A selection of excerpts from Tomatsu's own writings, many of which have never appeared in English, offers an intimate encounter with the issues and themes addressed in his photographs."--BOOK JACKET.
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